咖啡店門(mén)票

★ 9.0 播放:17萬(wàn) 更新:2026-04-27
主演:Ticket Coffee Shop 

英文名:Ticket暫無(wú)內(nèi)容Coffee暫無(wú)內(nèi)容Shop,2017年度最新韓國(guó)限制級(jí)電影

在線播放

劇情簡(jiǎn)介

英文名:Ticket暫無(wú)內(nèi)容Coffee暫無(wú)內(nèi)容Shop,2017年度最新韓國(guó)限制級(jí)電影

導(dǎo)演精選

玉蝎子的魔咒

  CW?布里格斯(伍迪?艾倫飾)是20世紀(jì)40年代美國(guó)紐約著名的北海岸保險(xiǎn)公司的最出色的保險(xiǎn)調(diào)查員,他的拿手絕活是能窺探犯人心中所想,從而輕而易舉地破案。自從老板請(qǐng)來(lái)了“效率專(zhuān)家”貝蒂,這一切就改變了。貝蒂新官上任,帶來(lái)新的策劃新的管理方式,布里格斯成為被開(kāi)刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會(huì)上,他倆被魔術(shù)師叫上臺(tái),在玉蝎子的魔力下,二人被催眠,醒來(lái)后對(duì)剛才發(fā)生的事一無(wú)所知?! ≈蟪莾?nèi)接二連三發(fā)生珠寶盜竊事件,而被竊珠寶的報(bào)警裝置是布里格斯親手設(shè)置的,沒(méi)有他是不可能破開(kāi)的。在調(diào)查案件中,肯辛頓家的尤物女兒(查理?塞隆飾)主動(dòng)約他約會(huì),他懷疑她的動(dòng)機(jī)。而貝蒂請(qǐng)來(lái)偵探協(xié)助他調(diào)查讓他更為不快。  貝蒂是上司的情人,因?yàn)槔习暹t遲不肯跟妻子離婚而倍感傷心。神使鬼差走到了布里格斯家跟他傾訴,布里格斯懷疑是貝蒂泄漏了公司機(jī)密,隨后貝蒂對(duì)他的示愛(ài)更令他加深懷疑?! ∫谝幌盗袣g笑嬉鬧中,最后才想起一切緣自當(dāng)初的那個(gè)玉蝎子的魔法,這些盜竊案最后還撮合了一對(duì)天作之合。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

父母姐弟

  疏離多年的手足被迫重逢,直面未解的心結(jié),重新審視與情感疏離的父母之間緊張的關(guān)系。