劇情縱覽
寡婦去世后,妻子租借服務(wù)填補(bǔ)了空缺。一位去世的妻子和一位年輕女士來(lái)探望。每天晚上都充滿激情的男人最后,我向她求婚,她說(shuō)她不能接受,因?yàn)樗`反了合同但是過(guò)了一會(huì)兒她辭去了租房的妻子而來(lái)再一次,有熱戀。
寡婦去世后,妻子租借服務(wù)填補(bǔ)了空缺。一位去世的妻子和一位年輕女士來(lái)探望。每天晚上都充滿激情的男人最后,我向她求婚,她說(shuō)她不能接受,因?yàn)樗`反了合同但是過(guò)了一會(huì)兒她辭去了租房的妻子而來(lái)再一次,有熱戀。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
黑貓(許冠杰 飾)身手敏捷,小有名氣。一次,他在巴黎時(shí)忽然遭到不明身份的女殺手襲擊,當(dāng)他和對(duì)手一路打斗來(lái)到鐵塔時(shí),伏擊在此的大鋼牙和剛帽突然出擊。措手不及的黑貓眼看性命不保,縱身跳下了塞納河。 當(dāng)黑貓醒來(lái)的時(shí)候,一名自稱占士邦的應(yīng)該特工人員告訴他這是女皇對(duì)他的考驗(yàn),現(xiàn)在他已通過(guò)考驗(yàn),可以正式接受女皇的密令。信以為真的黑貓欣然應(yīng)允,返港為女皇盜竊一枚極為貴重的寶石。當(dāng)黑貓費(fèi)盡九牛二虎之力完成任務(wù)后,發(fā)現(xiàn)事實(shí)并非如此。
平靜的一天,事業(yè)小有成就的中年男子杰米(費(fèi)爾南多·卡約 Fernando Cayo 飾)和妻子瑪爾塔(安娜·瓦格納 Ana Wagener 飾)、女兒伊莎(曼紐拉·維拉斯 Manuela Vellés 飾)搬入了夢(mèng)寐以求的大房子內(nèi)。正當(dāng)一家人爭(zhēng)論晚上該不該一起度過(guò)時(shí),三個(gè)蒙面歹徒闖入房中。為了保護(hù)家人的安全,杰米積極配合,抄下了信用卡號(hào)碼并交出手機(jī),并隨同歹徒的首領(lǐng)外出取錢。他時(shí)刻尋找機(jī)會(huì)報(bào)警,卻不知自己所面對(duì)的是根本不會(huì)妥協(xié)的冷血惡魔。另一方面,不斷有訪客扣響杰米家的房門,恐慌的瑪爾塔母女則想盡一切辦法逃脫,似乎又讓一切變得更加糟糕。 似無(wú)止境的長(zhǎng)夜,愈加黑暗幽冷……
露絲·斯雷特(布洛克飾)因暴力犯罪被判入獄,出獄后的她重新踏入社會(huì),但自己的過(guò)去卻不被原諒。面對(duì)來(lái)自她曾經(jīng)稱之為“家”的地方的無(wú)情評(píng)判,她獲得救贖的唯一希望,就是找到當(dāng)初被自己無(wú)奈丟下而疏遠(yuǎn)了的妹妹。