即刻觀影
劇情賞析
編輯推薦
四十而惑
保羅·路德,萊斯利·曼恩,杰森·席格爾,克里斯·奧多德,梅根·?？怂?梅麗莎·麥卡西,莉娜·鄧納姆,艾伯特·布魯克斯《一夜大肚》中的夫妻皮特（保羅·路德 Paul Rudd 飾）與黛比（萊斯利·曼恩 Leslie Mann 飾）如今年過四十，雖然黛比已經擁有一個不錯的精品店，皮特也開了自己的唱片公司，然而生活的暗礁還是漸漸圍困了這個家庭：不僅皮特開始需要借助“偉哥”，兩人的父母也年歲漸衰，需要供養，皮特的唱片店近來也在艱難維系，兩個還在上學的女兒更是每天把家里弄得雞飛狗跳。夫妻二人深感走入了愛情墳墓的同時，連生活的激情與樂趣也將要被消磨殆盡。黛比在與朋友談心之后，終于決定要挽救自己的婚姻，而此時，她已經懷上了皮特的第三個孩子…… 本片為導演在2007年的喜劇電影《一夜大肚》的一個獨立續集。
死亡筆記美版
曹斐然,李崢,李奔梁倩（曹斐然 飾）自小就失去了父母，孤苦伶仃的生活在孤兒院中。奶奶的出現給梁倩灰暗的生活帶來了新的希望，奶奶將梁倩帶回家，精心照料，漸漸的，梁倩從曾經那個灰頭土臉的小姑娘，出落成了亭亭玉立的美人?！ ‰m然擁有溫婉美麗的外表，但梁倩的個性卻格外的叛逆，干了許多莽撞而瘋狂的事情。奶奶因為無法接受梁倩未婚先孕的事實，突發腦溢血去世了，追悔莫及的梁倩在奶奶的遺物中發現了一本神秘的筆記本，其中記載了自己的前世今生。梁倩決定守著奶奶留下的大房子，生下腹中的孩子，然而，一個陌生女租客的到來卻令梁倩的生活再度陷入到了瘋狂的危險和陰謀之中。
主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯在天眼尚未密布，監場保安仍會打瞌睡的二十世紀七十年代，名畫大盜就是會光天化日，大剌剌走進美術館，直接把獵物從墻上取下放入布袋運走。看似兒戲的一切，背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式，改以其擅長的左翼簡約主義鏡頭，捕捉觸犯藝術罪行者的日常生活、雙面人的言行處境，以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個借口，但到頭來凸顯存在荒謬的公路逃亡，儼然為觀眾添加了不少欣賞和思考的層次。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
擂臺兄弟
阿俊·阿肖坎,羅尚·馬修,維沙克·奈爾 ,Ishan Shoukath,Carmen S Mathew,Siddique,Syamaprakash M.S.,Thezni Khan,拉克施米·麥儂,Mammolotti在科欽堡，一群不合群者聯合起來創建了一個摔跤團體，他們面臨內部競爭和滑稽的打斗，并隨著成長去應對更大的障礙。
海底兩百里
沃爾特·皮金,瓊·芳登,芭芭拉·伊登,彼得·洛,羅伯特·斯特靈美國海軍上校尼爾遜（沃爾特皮金飾）領導潛艇海景號在北極下探測時，地球突生危機，大氣層被一股大火燃燒，令地球極速升溫，地球上干旱無雨，頓誠人間煉獄?？茖W家主張紛歧，尼爾遜決定由海景號發射核子飛彈，讓其在大氣層外爆炸以期熄滅大火，令地球降溫。為求能夠快速解決這個問題，尼爾遜毅然由船員自愿選擇是留在船上還是繼續前進，但是在全世界都沒有辦法的情況下，只有聽命于尼爾遜的這個計劃了……