強(qiáng)奸3：OL誘惑

★ 1.4 播放：17萬 更新：2026-04-29

2001年香港特首角逐，特首熱門候選人李志信（方中信）因工作上壓力，經(jīng)常有幻覺女性赤裸裸出現(xiàn)在面前，巧遇舊戀人心理專家何慧儀（張慧儀飾）替志信治療。不久他卷入強(qiáng)奸下屬性丑聞，被警方拘捕，罪名是強(qiáng)奸女秘書劉文慈（張文慈飾）。其中有催眠術(shù)制造他幻覺局部失憶。經(jīng)過雜差警探（雷宇揚(yáng)）破案，實(shí)際上不是政治陰謀，而是方中信被人陷害。

在線播放

劇情簡(jiǎn)介

2001年香港特首角逐，特首熱門候選人李志信（方中信）因工作上壓力，經(jīng)常有幻覺女性赤裸裸出現(xiàn)在面前，巧遇舊戀人心理專家何慧儀（張慧儀飾）替志信治療。不久他卷入強(qiáng)奸下屬性丑聞，被警方拘捕，罪名是強(qiáng)奸女秘書劉文慈（張文慈飾）。其中有催眠術(shù)制造他幻覺局部失憶。經(jīng)過雜差警探（雷宇揚(yáng)）破案，實(shí)際上不是政治陰謀，而是方中信被人陷害。

導(dǎo)演精選

奪魂醫(yī)生

　　在一個(gè)肅殺的夜晚，滿身傷痕的女孩西恩娜（艾麗森·蘭格 Allison Lange 飾）跌跌撞撞沖入公路。她隨即被送往醫(yī)院，在探員贊恩（詹森·倫敦 Jason London 飾）的詢問下，驚魂未定的西恩娜終于說出了那段恐怖經(jīng)歷。　　兩周前，她和同在醫(yī)科大學(xué)念書的好友斯科特（B.J. Britt 飾）、杰森（尼克·霍爾莫斯 Nick Holmes 飾）、本（C.J. Thomason 飾）、夏儂等人結(jié)伴外出游玩。他們駐留在一所古堡，看似一切充滿了刺激和樂趣，但是這份無上喜悅很快便蒙上一層陰影。在他們身后，似乎有一個(gè)手執(zhí)手術(shù)刀的奪命醫(yī)生蠢蠢欲動(dòng)，死神的腳步越來越近。這群躊躇滿志的未來醫(yī)生，儼然成為了手術(shù)臺(tái)上的致命犧牲品……

看不見的他們

　　一場(chǎng)車禍后，林月家里怪事連連，全身冰冷的姐姐，鏡子里看不見家人的身影，黑夜里爸爸窺探的雙眼，每天凌晨閣樓傳來的彈珠聲，林月循聲而上，當(dāng)閣樓的門被打開，卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.