伊娃傳小唇愛娃的故事

★ 6.0 播放：62萬 更新：2026-04-22

別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來，遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她，天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到，經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣，這個年紀女孩是天使與魔鬼的混合體

在線播放

劇情簡介

別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來，遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她，天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到，經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣，這個年紀女孩是天使與魔鬼的混合體

導(dǎo)演精選

重大發(fā)現(xiàn)

　　一位計算機科學(xué)家/小說家與他兒時的朋友團聚，并闖入政府?dāng)?shù)據(jù)庫，同時面對他小時候所獲得的神秘行為的可怕后果。

密探2025

　　1977年，在被軍事獨裁統(tǒng)治折磨的巴西，四十多歲的馬塞洛逃離了他混亂的過去，來到累西腓，希望在這里建立新的生活并與家人重修舊好。然而，他并未料到死亡威脅如影隨形，籠罩在他的頭頂。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.