性愛旅行

骯臟的小把戲

迪恩·凱恩,Christie Burson,邁克爾·馬德森

　　麥可(狄恩肯恩飾)在路上搭載了年輕性感的正妹(克莉絲汀波森飾)，麥可原先認為漫漫公路有正妹相伴艷福不淺，自以為遇上了豔遇的他，卻不知道自己即將陷入一連串的陰謀及殺機，一趟沒有終點的旅程即將展開…　　故事描述一個男人在路途中載了一位年輕的女人，原來只是好心借人搭便車，結果男主人公卻發(fā)現(xiàn)自己陷入了一場可怕的午夜夢魘……　　If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick!　　A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway.　　Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes  viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.

江湖告急

梁家輝,吳君如,陳奕迅,黃秋生,張耀揚,谷祖琳,陳輝虹,彭敬慈,羅蘭,曾志偉

　　縱橫江湖二十年的黑幫大佬任因久（梁家輝 飾）樹敵無數(shù)，因此屢遭他人暗算，并得知有人要在24小時內(nèi)取他性命。任因久即刻以“江湖告急”的名義，傳令召開江湖大會，勢必找出誰要害他。

北地獵人

柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko Shimozawa

　　In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

斗爭之日

楊子英,拉迪卡·艾普特,納威恩·安德利維斯,梁振邦,托比·華萊士,席亞拉·博拉沃,Marny Kennedy,克萊爾·普萊斯,奧拉米德·坎迪德-約翰遜,Dieudonne? Ngabo,Samson Coulter,阿什·亞斯本切克,Ali Fardi,Ash Barba

　　26歲的約翰·艾倫·周決心完成自己的人生使命，他踏上了一場橫跨全球的危險征程，試圖讓北森蒂納爾島那些與世隔絕的部落族人皈依基督教。與此同時，安達曼群島的一名警探正爭分奪秒地想要阻止他，以防他對自己或這個部落造成傷害。　　影片改編自真實故事。

害蟲

宮崎葵,蒼井優(yōu),田邊誠一,涼,伊勢谷友介

　　少女幸子（宮崎葵飾）和老師的師生戀緋聞被傳得風風雨雨，相依為命的母親稔子（Ryo飾）則自殺未遂。打擊不斷的生活令幸子無法承受，升入中學后，她不去上學，每天閑逛打發(fā)時間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后，幸子和好友夏子（蒼井優(yōu)飾）返回了學校。　　不久后，她又差點被母親的新歡德川強暴。謠言又起，幸子失望地離開學校。昔日的老師戀人現(xiàn)在發(fā)電所工作，幸子準備去他那里。然而在約定的小茶店里等了很久，他還是沒有出現(xiàn)。灰心的幸子跟一個前來搭訕的男子離開茶店……

暗泳

懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內(nèi)翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內(nèi)斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨

　　“不準奔跑、不準跳水，天黑以后沒有救生員值勤，不準游泳。”　　影片根據(jù)2014年拍攝的同名短片改編，內(nèi)心深處希望能夠戰(zhàn)勝病魔，再度回歸美國職棒大聯(lián)盟打球的雷（懷亞特·拉塞爾 Wyatt Russell 飾）和他的太太伊芙（凱瑞·康頓 Kerry Condon 飾）搬進新家，后院的游泳池不僅讓孩子們玩得開心，也能夠讓他進行物理治療，然而這棟房子陰暗神秘的過去即將釋放一股邪惡力量，把這一家人拉進無法逃脫的恐怖深淵。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.