劇情簡介
《大咸濕》國語，粵語版，電影講述;不文教父黃沾主持及旁述，沾叔與其女助手蔡欣倩聯合大咸濕攝制隊游遍港九大小色情場所，包括隱形架步、高科技私竇、走私黑點、幽會勝地以及重演當年荔園科學美人、城寨托衣舞、魚旦檔的風光日子。并且訪問了私鐘妹、馬夫等。 大量采納真實資料、拍攝、暗訪、當事人真實解密，活靈活現的展示香港"咸濕;架步;魚蛋妹;等等，具體的現場展示，同時，一睹黃大俠幽默、風趣的風采。
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怖谷鳥
亨特·莎弗,賈恩·布盧特德,馬爾頓·索克斯,杰西卡·亨維克,丹·史蒂文斯,米拉·劉,格蕾塔·費爾南德斯,波斯·曼達尼,阿斯特麗德·伯格斯-弗瑞斯貝, 康拉德·辛格,卡琳·莫羅17歲的女孩Gretchen（亨特·莎弗 Hunter Schafer 飾）被迫與家人一起搬到一個度假勝地，而那里并不像看上去的那樣平靜。
商戰街
Saif Ali Khan,Radhika Apte,Chitrangda Singh這是一部關于股票交易的影片，處處流露著金錢和欲望，一個草根鳳凰男逆襲的故事。男主出生并成長在印度的一個小山村里。男主一心夢想前往孟買，去為自己的偶像（一位金融大鱷）去打工。金融大鱷亦是貧寒出身但卻成功逆襲的典范。男一號發誓要成為像該金融大鱷一樣的成功男士。男一號憑借自己 的努力和對機遇的掌控，在一年時間內，成為該金融大鱷最得力的助手。一時間，賓利，私人飛機，游艇都已是囊中之物；順便，男一號再抱得美人歸。然而，一切的成功都來的太突然。男一號殊不知自己只不過是金融大鱷的傀儡。而漂亮的女友也只不過是金融大鱷的情婦而已。擺在男一號面前有兩條路。是接受金融大鱷所給的上億支票繼續為奴，還是推倒金融大鱷，自己徹底翻身？
寒刀凜
劉峰超,張浩,尹鍵,肖琳揚明朝年間，錦衣衛陸欽因罪被發配充軍，途中因緣際會，與樊英押送貪官張嵩回京指認通敵太監王公公。經過生死追逃，最終陸欽犧牲，張嵩抵京，卻被王公公處死于監牢。多年后，王公公被樊英擊殺，善惡終得報。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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