劇情簡介
過得十分瀟灑的智英和佑賢是關系,但佑賢知道自己的朋友民洙也喜歡智英,決定在兩人之間成為墊腳石。民秀和智英經過迂回曲折之后還可以交往嗎?還是智英會再次回到佑賢的懷抱呢?圍繞著智英的兩個男人展開了屬于他們的故事。
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義務警員
奧利維亞·王爾德,摩根·斯佩克特,凱爾·凱特萊特,托妮·帕塔諾,貝特西·艾頓,切麗絲·迪倫,朱迪·馬爾特,C·J·威爾遜,查克·庫珀,馬塞林·休格特,佩奇·瑞亞,埃斯特凡妮婭·特杰達,貝弗利·阿特金森,希瑟·哈金斯,麗貝卡·斯皮羅,大衛·尚布里斯,吉姆·福特,J·D·威廉姆斯,馬格特·賓漢,瑪麗·特斯塔王爾德飾演一名復仇天使,幫助受害者們向施虐者復仇。
全面開戰:兄弟會
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虛擬實驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發明了革命性的藥品型軟件,可直接在人類大腦中創造虛擬現實,僅幾秒鐘就能體驗幾小時或幾天的激動人心的冒險。仁要拯救弟弟于記憶迷局,而合作伙伴一心只想賺取利益,但是一切都是記憶連環套……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
青出于藍2025
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