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劇情提要
別名:暫無內容Passionate暫無內容【女豬腳喜歡在自己老爸面前過分的調皮】兩個十幾歲的朋友湊到找出多少自己的青春y-蕩可以破壞他們的家庭,為首的一個牙醫和他的精神病妻子。
暗夜精選
警察與外星人
路易·德·菲奈斯,米歇爾·加拉布呂,莫里斯里什,朗貝爾·維爾森毛骨悚然撞鬼經 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉巖漿毒蛛
斯蒂夫·古根伯格,尼亞·佩雷斯,帕特里克·瑞納,萊斯利·伊斯特布魯克,丹尼·伍德伯恩,拉爾夫·加曼,喬恩·馬克,阿諾德·陳,邁克爾·溫斯洛,馬里昂·拉姆塞,弗蘭克·鮑沃斯,本杰明·馬卡比,Zac Goodspeed昆池巖
魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟允,李承旭惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如幕后花絮
三傻大鬧寶萊塢
本片根據印度暢銷書作家奇坦·巴哈特(Chetan Bhagat)的處女作小說《五點人》(Five Point Someone)改編而成。法蘭(馬德哈萬 R Madhavan 飾)、拉杜(沙曼·喬希 Sharman Joshi 飾)與蘭喬(阿米爾·汗 Aamir Khan 飾)是皇家工程學院的學生,三人共居一室,結為好友。在以嚴格著稱的學院里,蘭喬是個非常與眾不同的學生,他不死記硬背,甚至還公然頂撞校長“病毒”(波曼·伊拉尼 Boman Irani 飾),質疑他的教學方法。他不僅鼓動法蘭與拉杜去勇敢追尋理想,還勸說校長的二女兒碧雅(卡琳娜·卡普 Kareena Kapoor 飾)離開滿眼銅臭的未婚夫。蘭喬的特立獨行引起了模范學生“消音器”(奧米·維嘉 Omi Vaidya 飾)的不滿,他約定十年后再與蘭喬一決高下,看哪種生活方式更能取得成功。 本片獲孟買電影博覽獎最佳影片、最佳導演、最佳配角(波曼·伊拉尼)、最佳劇本等六項大獎,并獲國際印度電影協會最佳影片、最佳導演、最佳劇情、最佳攝影等十六項大獎。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.