誤殺3 (2024)

★ 2.8 播放：46萬(wàn) 更新：2026-04-27

鄭炳睿（肖央 飾）的寶貝女兒婷婷眾目睽睽之下，遭神秘綁匪綁架，始終陪伴父女左右的李慧萍（佟麗婭 飾）與他一同展開救女行動(dòng)。但狡詐綁匪輕松躲避警方負(fù)責(zé)人張景賢（段奕宏 飾）的密集追捕，更將救女心切的鄭、李二人玩弄于股掌之間。絕望間，鄭炳睿選擇走上了一條通往地獄的救女之路，縱使化身“修羅”也不能放過(guò)傷害自己女兒的惡徒！殊不知一場(chǎng)更大的陰謀正在悄然展開，所有卷入其中的人都無(wú)法逃脫。

在線播放

劇情簡(jiǎn)介

鄭炳睿（肖央 飾）的寶貝女兒婷婷眾目睽睽之下，遭神秘綁匪綁架，始終陪伴父女左右的李慧萍（佟麗婭 飾）與他一同展開救女行動(dòng)。但狡詐綁匪輕松躲避警方負(fù)責(zé)人張景賢（段奕宏 飾）的密集追捕，更將救女心切的鄭、李二人玩弄于股掌之間。絕望間，鄭炳睿選擇走上了一條通往地獄的救女之路，縱使化身“修羅”也不能放過(guò)傷害自己女兒的惡徒！殊不知一場(chǎng)更大的陰謀正在悄然展開，所有卷入其中的人都無(wú)法逃脫。

導(dǎo)演精選

幻視

　　該片講述因神經(jīng)衰退正在接受治療的智敏在親眼目睹肇事逃逸事故后，總是分不清現(xiàn)實(shí)和幻想，并因此經(jīng)歷了神秘事件的故事。南奎麗飾演女主角智敏，這也是她時(shí)隔三年重返銀幕，并首次挑戰(zhàn)驚悚片，電影計(jì)劃于今年9月開拍，預(yù)計(jì)將于2018年上半年上映。

惡魔的耳語(yǔ)

　　15歲的艾利克斯來(lái)自一個(gè)天主教家庭，他希望自己將來(lái)能成為一個(gè)牧師。當(dāng)他無(wú)意中發(fā)現(xiàn)并打開了一個(gè)神秘的盒子之后，放出了一個(gè)一心要占據(jù)他身體的惡魔。艾利克斯必須找到辦法打敗這個(gè)一直在折磨兒童的古老的惡魔，否則將會(huì)毀掉他和所有他愛的人。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.