陷阱2015
該片是根據真實事件改編，講述了一對夫婦看到網絡上的美食情報，就來到孤島上尋找這間餐廳，卻遭遇了意料之外的重重危機。 2015年警察廳公布的統計數據中，2014年網絡犯罪多達11萬起，大部分是網絡金融欺詐、黑客等行為，但也有通過網絡而施行的殺人、強奸、連鎖殺人等重大刑事犯 罪。特別是對于網上很多沒有公信力的情報毫無懷疑而上當受騙的受害者日漸增加。特別是我們對于智能手機和 app 的使用都成為日常生活中不可或缺的一環，所以網絡上的犯罪其實離我們每個人都很近?！断葳濉芬彩浅鲇谶@樣的意圖，希望告訴觀眾，其實每個人都可能會陷入這樣的陷阱。 影片中趙漢善和金敏京飾演的“俊植”、“素妍”夫婦，為了找到網上有著好口碑的餐廳而來到孤島上，遇見了親切地有些過分的餐廳主人，之后卻陷入了意想不到的陷阱中。該片導演權炯辰曾憑借《為了霍格沃茲》獲得第44屆大鐘獎新人導演獎，并提名第10屆上海國際電影節及亞洲新人獎最佳影片。之前演慣了反派的馬東錫最近在影視劇中展現了幽默搞笑的一面而倍受觀眾喜愛，在這部電影中則又飾演看上去很親切但卻讓人覺得有點恐怖的神秘餐廳主人“成哲”一角。
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探魔導師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫《探魔導師》將背景設定在一個由十大財團控制的架空歷史下的摩登市。洪冰瑤飾演的是個性別模糊能穿梭時空的魔導師T，因被迫卷入組織權利斗爭，成為組織的犧牲品。T協助警察破案來實現自己的人生價值。在調查“人類失蹤案”的過程中，T發現人類失蹤與畸形科技“潘多拉”有關，該科技利用人類原罪使人類互相欺詐謀殺，試圖讓整個摩登市陷入混亂，隨著線索一步步逼近，T漸漸意識到社會的種種混亂由十大財團操縱，一切的根源似乎直指給人類帶來巨大益處的人工智能，一場人類與人工智能的生存爭奪戰由此拉開。
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴佳茵,武朋新婚的蕭靈兒（陸煙 飾）前往兒時的山間別墅度假。途中，詭異事件接踵而至，雙生女童、深夜歸來的守門人，讓蕭靈兒驚恐不已。次日，蕭靈兒的閨蜜和前男友不請自來，守門人的兒子帶著女友來見家長。更恐怖的是，一個神秘的紅衣女孩如鬼魂般在深山老宅中閃現，勾起了當地流傳已久的鬼娃瑪麗傳說。在這深山隔絕之地，鬼娃使眾人陷入死亡之境。靈異現象頻繁出現，血腥事件不斷發生，等待眾人的是一個埋藏多年的鬼娃復仇傳說。
傲嬌公主的奇幻冒險
馬雷克·蘭博拉,安娜·菲亞洛娃,Ales Procházka黑白童話《驕傲的公主》是捷克電影史上收視率最高的電影之一?！侗粦土P的驕傲》是博澤娜·內姆科娃最美麗的童話故事之一。難怪有史以來最成功的捷克真人童話電影就是基于它改編的。這是一部動畫翻拍?？死髅桌≡谝粋€金籠子里。她幼稚地驕傲，她的刻薄顧問也支持她。他們想把她嫁給一個軟弱的人，保住權力。然而，他們遇到了鄰國正義的國王米羅斯拉夫。他愛上了克拉索米拉公主，決定治愈她的驕傲。作為一名園丁，他設法做到了。然后，在王國顧問的憤怒面前，他們一起逃跑了。他們的道路充滿了狂野的冒險，這讓他們更加親密?？死髅桌恢浪优艿膱@丁是國王。她在大結局中發現了。她原諒米羅斯拉夫否認自己的真實出身，并嫁給了他。顧問們被趕走了，愛情勝利了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
摸金祖師
秦楚明,鄧詩韻,李璐兵,張冬東漢末年，精通風水陰陽、堪輿演星之術的喬二被迫與夫人下入墓穴探取長生石，然而墓穴坍塌眾人被埋入地下。再次醒來的喬二發現自己到了民國年代，對當代社會一竅不通的他偶遇了與妻子長相一樣的小飛鶯?？恐娙说膮f助，喬二將再次下墓尋找自己的愛人。
奪寶生死戰
Grant Show,Vivian Wu,Steve Bacic到2068年，地球上的臭氧消失了，因此，猛烈的、無法控制的風暴正在夷平它的表面。一小群軍事幸存者是人類的最后的捍衛者,當隊長約翰庭院是找到一份工作前戰友拉皮埃爾,他現在是受雇于帝國,一個eco-profiteer,為了拯救他的父親和其他幾位幸存者中庭同意。他和一小群雇傭兵要闖入幾乎不可滲透的文森特遺產和找回無價的“藝術”，儲存在那里的啟示之前。但是有一種致命的電腦控制的防御系統叫做“加密”，他們必須繞過它，還有一個殺手機器人叫做Rook &類似人類的全息安全主管Diana，她掌握著地球完全毀滅的鑰匙——或者說是完全的拯救。