過錯
影片由六個短片組成。《禮物》:一對情侶來到酒店度假,男子情深意切的允諾要給女子一個驚喜,之后,滿懷期待的女子眼前出現(xiàn)禮物竟然是……《陰謀》:一對貌合神離的夫妻有這各自的情人,而事實卻并不像表面上所看到的這么簡單。《兩個變態(tài)和一個女傭》:平凡的女傭游走在主人和男友之間,分裂的生活讓她不知該何去何從。《性愛海灘》:在亙古不變的海灘上,一對情侶吵架后又和好。《攝影師的苦惱》:無法和女友進行魚水之歡的攝影師居然意外的在派對上找到了真愛。《偷窺狂》:拜金女店員為了利益搭上了一個有錢男人,卻不知自己的所作所為都被一雙隱秘的眼睛看在眼里。
劇情簡介
影片由六個短片組成。《禮物》:一對情侶來到酒店度假,男子情深意切的允諾要給女子一個驚喜,之后,滿懷期待的女子眼前出現(xiàn)禮物竟然是……《陰謀》:一對貌合神離的夫妻有這各自的情人,而事實卻并不像表面上所看到的這么簡單。《兩個變態(tài)和一個女傭》:平凡的女傭游走在主人和男友之間,分裂的生活讓她不知該何去何從。《性愛海灘》:在亙古不變的海灘上,一對情侶吵架后又和好。《攝影師的苦惱》:無法和女友進行魚水之歡的攝影師居然意外的在派對上找到了真愛。《偷窺狂》:拜金女店員為了利益搭上了一個有錢男人,卻不知自己的所作所為都被一雙隱秘的眼睛看在眼里。
為你推薦
有罪,AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽,小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風吹淳,國村隼新人法官高遠寺圓(芳根京子飾)每日忙于庭審中的證人詢問、審閱證據(jù)與鑒定報告、檢索判例以及撰寫判決書等工作。某日,圓被委以重任,負責測試性引入法院的AI系統(tǒng)“法神”。當輸入過往審判數(shù)據(jù)后,“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致,判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已,唯獨圓對“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負責一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數(shù)據(jù)輸入“法神”進行判決模擬,AI瞬間給出的判決是“死刑”。 對AI能力深感興趣的檜葉。對AI愈發(fā)警惕的圓。當陪審員們也卷入其中時,人們再度直面探尋真相的艱難困境。究竟誰能辨明真相?是AI?是人類?還是??? 這部社會派娛樂作品直面當下以驚人速度滲透社會的AI技術(shù),深刻叩問使用AI的人類應(yīng)有的姿態(tài)!
恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·希克曼,賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo一對年輕夫婦在高速公路上行駛,似乎無法離開公路,因為有人企圖讓他們繼續(xù)上路。
吸血獵手
科里·費爾德曼,馬爾科姆·麥克道威爾,魯格·豪爾,布魯斯·戴維森,迪恩·S·賈格爾,Richard Wagner,費爾南達·羅梅羅,Patrick Brennan,Chris Pardal,托馬斯·瓊斯,Lovake Heyer,金貝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·蓋恩斯,薩姆·魯克,Clementine Heath, 金佰利·道格爾迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
提前的葬禮
姜末琴,奉太奎由于他們的父親處于昏迷狀態(tài),護士Seon-young敦促她的兄弟Il-hoe舉辦一場假葬禮,因為他負擔不起兒子的學(xué)費,有可能看到他錯過大學(xué)。他們偽造死亡證明并欺騙醫(yī)院,但隨著壓力的增加,他們的計劃開始以意想不到的方式瓦解。
困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun因丟失尸體和愛人,羅伯特(Daktari Lorenz 飾)在絕望中以極其慘烈的方式自殺身亡。然而他的尸體并未因此得到寧靜,仿佛命中注定一般,才被葬入黃土不久的羅伯特又被妙齡女郎莫妮卡(Monika M. 飾)挖了出來。莫妮卡和羅伯特一樣,對死尸有著深深的迷戀,她和死去的羅伯特仿佛愛人似的生活在一起。 某晚,莫妮卡在電影院門口邂逅馬克(Mark Reeder 飾),兩人隨即開始交往。看似浪漫的愛情雖然讓莫妮卡一度想要改掉怪異的愛好,但她仍然無法接受愛情的索然無味。直到某天,馬克發(fā)現(xiàn)了女友的秘密,他們的關(guān)系開始朝著不可預(yù)測的方向發(fā)展……
幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南早見真紀子是在大型建筑承包商就職的精英女強人。早見專注工作,目前單身,但她其實是“深夜尋找內(nèi)衣”的網(wǎng)站背后神秘的女神。她把貼身衣物藏在街道,給提示讓人們?nèi)ふ摇S幸惶欤缫娪鲆娏嗽诠珗@露宿的葵。葵是網(wǎng)站“向丈夫復(fù)仇”上的一名頗有影響力的博主。她趁丈夫在外工作,秘密向丈夫復(fù)仇。在現(xiàn)代網(wǎng)絡(luò)文化之下面對復(fù)雜的事件,兩個女人關(guān)系漸漸密切。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.