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祝你好運(yùn)2024
亞歷山德拉·達(dá)達(dá)里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴?yán)?科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大帝機(jī)器人
伊武雅刀,洞口依子,森本治行,吉田友紀(jì)東寶ビデオのシネパック第一弾として、1991年11月8日にリリースされたのがこの『ミカドロイド』である?！ 〉诙未髴槟┢凇∩珴夂瘠嗜毡?。その中で帝國陸軍が極秘裏に研究していた秘密兵器、それが人造人間“ジンラ號(hào)”。敗戦とともに歴史から抹消されたジンラ號(hào)であったが、空襲で埋沒した研究所の中、眠り続けていた一體があった。そして今、半世紀(jì)の歳月を経て、ジンラ號(hào)が東京の地下に蘇る！ ふとした偶然でその地下迷宮に迷い込んでしまった若い男女二人は何を見るのか？ 未完成の人造人間として老いる事も出來ずに彷徨い続けてきた謎の男、彼は一體何を望むのか？ 本作は舞臺(tái)となる場(chǎng)所と時(shí)間が狹い範(fàn)囲に限定されているため、物語の密度が濃く、一夜限りの幻想的な悪夢(mèng)のような作品となっている?！ ˉ弗螗樘?hào)のデザインを擔(dān)當(dāng)したのはイラストレーターの明日蘭。蒸気機(jī)関車のような舊式なラインでまとめられているジンラ號(hào)は一見ユーモラスで鈍重な外見だが、內(nèi)に潛ませた悪夢(mèng)と狂気が不思議な説得力を持ち、印象深い仕上がりとなっている。またジンラ號(hào)専用武器として設(shè)計(jì)されたという設(shè)定の“１００式短機(jī)関銃改「ベ式」テラ銃”は、當(dāng)時(shí)の落下傘部隊(duì)が使用した実銃をモチーフにいかにもそれらしくまとめられており、ジンラ號(hào)の設(shè)定をよりリアルな物としている。その他、南部十四年式拳銃や９６式軽機(jī)関銃などの各種プロップガンもリアルな作動(dòng)シーンを見せて畫面を引き締めている。 監(jiān)督を務(wù)めたのは特殊メイククリエイターとして有名な原口智生。本作は原口自身が長(zhǎng)年あたためてきた企畫で、原口の監(jiān)督デビュー作となった。
愛定你殺定你
塞西爾·德·弗朗斯,麥溫,菲利普·納翁,弗蘭克·卡方,安德烈·芬蒂,瓦娜·佩利亞,Marco Claudiu Pascu,Jean-Claude de Goros,Bogdan Uritescu,加布里埃爾·斯巴修青春少女瑪麗（Cécile De France 飾）和愛莉西婭（Ma?wenn Le Besco 飾）是同在法國巴黎一所大學(xué)就讀的好朋友。某個(gè)周末，兩人驅(qū)車前往愛莉西婭家位于鄉(xiāng)下的農(nóng)場(chǎng)度假。適值深夜，萬籟俱寂，瑪麗寂寞難耐正在自我宣泄之時(shí)，一個(gè)不速之客突然闖入。他殘忍殺害了愛莉西婭的父母和年幼的弟弟，并將其擄去。為了營(yíng)救好友，瑪麗悄悄鉆進(jìn)兇手的卡車。途經(jīng)一個(gè)加油站，她換上同樣慘遭殺害的店員的車?yán)^續(xù)跟蹤，卻被狡猾的兇手發(fā)現(xiàn)行跡。一場(chǎng)近乎迷幻的貓鼠殺戮游戲旋即進(jìn)入高潮…… 本片榮獲2003年Sitges – Catalonian國際電影節(jié)最佳女主角（Cécile De France）、最佳導(dǎo)演、最佳化裝和歐洲奇幻電影大獎(jiǎng)銀獎(jiǎng)。
呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman改編自英國著名作家艾米莉·勃朗特同名經(jīng)典作品，英格蘭北部的荒原之上，一場(chǎng)跨越階級(jí)的禁忌之戀正在上演。莊園之主的女兒凱茜（瑪格特·羅比 飾）與被收養(yǎng)的孤兒希斯克利夫（雅各布·艾洛蒂 飾）青梅竹馬，靈魂契合彼此深陷。愛意悄然滋長(zhǎng)之時(shí)，現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開。多年以后，他攜風(fēng)暴回來，純潔的愛火逐漸從浪漫演變?yōu)榘V狂，譜寫了一曲關(guān)于欲望、愛與瘋狂的史詩篇章。
浪浪人生
黃渤,范丞丞,殷桃,常遠(yuǎn),李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢(mèng)涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開啟人生困難模式，但他和家人都沒有被命運(yùn)的風(fēng)浪裹挾。兒子黑狗達(dá)（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當(dāng)前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒準(zhǔn)真能讓他們絕地翻盤？