女教師日記 被禁止的性
安達充（川名浩介暫無內容飾）是一個正在讀高三的學生，他學習優秀，容貌清秀，不過因性格內向鮮少朋友。充的心中藏著不為人知的秘密，他深深愛戀著自己的級任老師堀田紀子（大竹一重暫無內容飾）。這份感情無法自已，他甚至經常打去匿名電話向老師表達愛意。然而紀子對這樣的騷擾不勝其煩，此外她早已和同校的體育老師森本（沖田浩之暫無內容飾）相愛，情深意篤。目睹了紀子與森本約會并歡愛的場景，充心中倍感痛苦。另一方面，暗戀充的同班女孩矢崎由美（澤木麻美暫無內容飾）與好友們打賭，設計引誘森本。此舉令森本和紀子的關系出現裂痕，而充則借此走入夢中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……
即刻觀影
劇情賞析
編輯推薦
內幕2025
郭富城,任達華,吳鎮宇,方中信,陳國邦,湯怡,周勵淇,李靖筠,姜大衛,駱應鈞,鮑起靜,黎峻,耿長軍,張文杰,蘇家樂,張達倫,陳湛文,馬俊怡,鄒文正香港著名慈善基金會晚宴現場，財務總監楊滔（任達華 飾）離奇吊死在會場，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風（郭富城 飾）與“玩咖警長”柯定邦（吳鎮宇 飾）意外被卷入其中，隨著二人調查不斷深入，慈善表象之下的駭人罪惡也接連現形——操縱司法、買兇殺人、走私販毒、勾結境外勢力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內幕公之于眾，還社會以公道？
月球
山姆·洛克威爾,凱文·史派西,多米妮克·麥克艾麗戈特,卡雅·斯考達里奧,本尼迪克特·黃,馬特·貝里,馬爾科姆·斯圖爾特,羅賓·查克未來世界，隨著科技的飛速進步，地球的污染也越來越嚴重。為了遏制這種現狀，一家名為月能工業有限公司的企業應運而生。該公司致力于月球能源的開發，通過采集氦-3來滿足地球對能源的需求。月能公司在月球設有基地，山姆·貝爾（山姆·洛克威爾 Sam Rockwell 飾）正是該基地 上唯一的工作人員。山姆是公司聘用的合同工，他已在月球孤零零地生活3年，陪伴他的只有智能機器人戈蒂（凱文·斯派西 Kevin Spacey 飾）?？菰锓ξ兜纳盍钌侥窔w心似箭，在還有兩周就離開月球的時候，山姆偶然遭遇一起事故。醒來后的他發現戈蒂似乎對其有所隱瞞，公司高層也拒絕他的回程請求。山姆借機逃出基地，卻在事故發生地點發現另一個自己…… 本片榮獲2009年愛丁堡國際電影節最佳英國影片獎、2009年西雅圖國際電影節最佳男主角獎。
看不見的愛人2025
鐘熙,侯偉杰,陳彥霓攝影師榮格偶遇前女友洛依，尾隨她回家后便悄然居住在這個房間里，偷窺著洛依的一舉一動。洛依時常會帶不同的男人回家，但都被榮格悄無聲息的黃了。隨著時間的推移，榮格在房間里的狀態愈加放松，馬腳也漸漸露的多了，洛依越來越感覺到房間里有榮格的存在
絕世好Bra
古天樂,劉青云,梁詠琪,劉嘉玲,李珊珊,青山知可子,卓韻芝,莫文蔚,谷祖琳,馮德倫,田蕊妮,譚耀文日本著名胸圍公司的香港區總裁Samantha（劉嘉玲 飾）破例聘請了Johnny（劉青云 飾）和Wayne（古天樂 飾）兩名男設計師。他們的上司高級設計師Lena（梁詠琪 飾）覺得他們根本無法勝任這份工作，因此常常刁難他們。公司要求他們設計出一款“絕世好Bra”，可是多次失敗?！ ≡诠ぷ鞯倪^程中，Johnny和Wayne分別與Smantha和Lena產生了感情，最后他們也在各自女友的幫忙下，才最終把“絕世好Bra”設計成功。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛,蘆田愛菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹,能年玲奈,新井浩文,野本螢一所平凡的中學，1年B組即將迎來春假。不知天高地厚的學生們肆意吵鬧，殊不知一場綿亙數月的風暴正向他們襲來。級任教師森口悠子（松隆子 飾）全然無視這片混亂，靜靜地向學生們做出最后的告白。這個單親媽媽獨自撫養著可愛的女兒（蘆田愛菜 飾），然而女兒最終在游泳池中溺水身亡。警察 認定這是一起意外，森口則認定女兒死于班上兩個學生之手。她不動聲色地指責著犯人A和B，并宣布用自己的方式進行復仇。在此之后，森口辭去教師職務，1年B班的學生也心懷惴惴迎來了春假。新學期開始，殘酷的風暴襲向了這群無知無畏的少男少女……本片根據湊かなえ的原作改編，并成為2010年電影旬報十佳影片；第34屆日本電影學院獎最佳作品、最佳導演、最佳劇本和最佳剪輯4項大獎。