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The暫無(wú)內(nèi)容movie暫無(wú)內(nèi)容starts暫無(wú)內(nèi)容with暫無(wú)內(nèi)容Annabella暫無(wú)內(nèi)容(Margie暫無(wú)內(nèi)容Newton),暫無(wú)內(nèi)容an暫無(wú)內(nèi)容attorney,暫無(wú)內(nèi)容by暫無(wú)內(nèi)容the暫無(wú)內(nèi)容bedside暫無(wú)內(nèi)容of暫無(wú)內(nèi)容one暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her暫無(wú)內(nèi)容client,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容young暫無(wú)內(nèi)容drug暫無(wú)內(nèi)容addict暫無(wú)內(nèi)容in暫無(wú)內(nèi)容a暫無(wú)內(nèi)容recovery暫無(wú)內(nèi)容clinic.暫無(wú)內(nèi)容Before暫無(wú)內(nèi)容he暫無(wú)內(nèi)容dies,暫無(wú)內(nèi)容he暫無(wú)內(nèi)容tells暫無(wú)內(nèi)容her暫無(wú)內(nèi)容where暫無(wú)內(nèi)容she暫無(wú)內(nèi)容can暫無(wú)內(nèi)容find暫無(wú)內(nèi)容a暫無(wú)內(nèi)容taped暫無(wú)內(nèi)容diary暫無(wú)內(nèi)容disclosing暫無(wú)內(nèi)容all暫無(wú)內(nèi)容the暫無(wú)內(nèi)容terrible暫無(wú)內(nèi)容secrets暫無(wú)內(nèi)容that暫無(wú)內(nèi)容have暫無(wú)內(nèi)容been暫無(wú)內(nèi)容going暫無(wú)內(nèi)容on暫無(wú)內(nèi)容in暫無(wú)內(nèi)容this暫無(wú)內(nèi)容small暫無(wú)內(nèi)容town.暫無(wú)內(nèi)容She暫無(wú)內(nèi)容decides暫無(wú)內(nèi)容to暫無(wú)內(nèi)容stay暫無(wú)內(nèi)容and暫無(wú)內(nèi)容it暫無(wú)內(nèi)容soon暫無(wú)內(nèi)容appears暫無(wú)內(nèi)容that暫無(wú)內(nèi)容she暫無(wú)內(nèi)容is暫無(wú)內(nèi)容seeking暫無(wú)內(nèi)容revenge暫無(wú)內(nèi)容upon暫無(wú)內(nèi)容all暫無(wú)內(nèi)容those暫無(wú)內(nèi)容who暫無(wú)內(nèi)容had暫無(wú)內(nèi)容harmed...
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The暫無(wú)內(nèi)容movie暫無(wú)內(nèi)容starts暫無(wú)內(nèi)容with暫無(wú)內(nèi)容Annabella暫無(wú)內(nèi)容(Margie暫無(wú)內(nèi)容Newton),暫無(wú)內(nèi)容an暫無(wú)內(nèi)容attorney,暫無(wú)內(nèi)容by暫無(wú)內(nèi)容the暫無(wú)內(nèi)容bedside暫無(wú)內(nèi)容of暫無(wú)內(nèi)容one暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her暫無(wú)內(nèi)容client,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容young暫無(wú)內(nèi)容drug暫無(wú)內(nèi)容addict暫無(wú)內(nèi)容in暫無(wú)內(nèi)容a暫無(wú)內(nèi)容recovery暫無(wú)內(nèi)容clinic.暫無(wú)內(nèi)容Before暫無(wú)內(nèi)容he暫無(wú)內(nèi)容dies,暫無(wú)內(nèi)容he暫無(wú)內(nèi)容tells暫無(wú)內(nèi)容her暫無(wú)內(nèi)容where暫無(wú)內(nèi)容she暫無(wú)內(nèi)容can暫無(wú)內(nèi)容find暫無(wú)內(nèi)容a暫無(wú)內(nèi)容taped暫無(wú)內(nèi)容diary暫無(wú)內(nèi)容disclosing暫無(wú)內(nèi)容all暫無(wú)內(nèi)容the暫無(wú)內(nèi)容terrible暫無(wú)內(nèi)容secrets暫無(wú)內(nèi)容that暫無(wú)內(nèi)容have暫無(wú)內(nèi)容been暫無(wú)內(nèi)容going暫無(wú)內(nèi)容on暫無(wú)內(nèi)容in暫無(wú)內(nèi)容this暫無(wú)內(nèi)容small暫無(wú)內(nèi)容town.暫無(wú)內(nèi)容She暫無(wú)內(nèi)容decides暫無(wú)內(nèi)容to暫無(wú)內(nèi)容stay暫無(wú)內(nèi)容and暫無(wú)內(nèi)容it暫無(wú)內(nèi)容soon暫無(wú)內(nèi)容appears暫無(wú)內(nèi)容that暫無(wú)內(nèi)容she暫無(wú)內(nèi)容is暫無(wú)內(nèi)容seeking暫無(wú)內(nèi)容revenge暫無(wú)內(nèi)容upon暫無(wú)內(nèi)容all暫無(wú)內(nèi)容those暫無(wú)內(nèi)容who暫無(wú)內(nèi)容had暫無(wú)內(nèi)容harmed...
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.