即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
網(wǎng)絡(luò)迷宮
克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡2005年圣節(jié)前3天，電子游戲設(shè)計(jì)員米正在趕制全新游戲－極樂迷宮，準(zhǔn)備在圣誕日推出面大量發(fā)售．豈料異變突然發(fā)生，游戲里的主角蘇被病毒感染產(chǎn)生自主意志，厭倦了打打殺殺無限續(xù)局的殘酷生涯，要求杰米刪除游戲程式，另一邊廂，電腦集團(tuán)又派人催促杰米趕快交貨，進(jìn)退維谷的，他只好兵行險(xiǎn)著，策動(dòng)一場網(wǎng)絡(luò)革命……
心之高歌
Carola Insolera,Emilio Insolera,Antonio Iorillo,Simonetta Pellizzer,Sarah Toscano,塞雷娜·羅西作為聾人家庭唯一能聽見聲音的成員，含羞的少女發(fā)現(xiàn)自己擁有唱歌天賦，她不得不在履行責(zé)任和尋找自己的道路之間做出抉擇。
姽婳
閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國鑫,顏冠英,于飛,于洛熙知名畫家創(chuàng)作的最后一幅作品“惡靈畫像”后離奇死亡了，女設(shè)計(jì)師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強(qiáng)烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫像”的路上，在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。
諾瑪·蕾
莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾故事發(fā)生在一個(gè)南部小鎮(zhèn)的棉織廠，諾瑪（莎莉·菲爾德 Sally Field 飾）和她的家人都在這里工作。這個(gè)工廠的工作環(huán)境異常惡劣，工人們每天都經(jīng)受著資本家的無情剝削和艱辛勞動(dòng)。面對這種不公平的待遇，工人們備受壓迫和困擾。為了改變這種狀況，總工會(huì)派來了一名經(jīng)驗(yàn)豐富的組織者，希望能夠協(xié)助當(dāng)?shù)毓と私M織自己的工會(huì)，為工人們爭取更好的待遇和權(quán)益。然而，工人們對組織者的到來持有懷疑態(tài)度，他們心存疑慮，擔(dān)心這只是一個(gè)無望的嘗試。組織者面臨著許多困難和挑戰(zhàn)。工人們對他進(jìn)行冷嘲熱諷，老板則用各種無理阻攔來阻礙工會(huì)的成立。看到這一切，諾瑪內(nèi)心充滿了憤慨和不滿。她是一個(gè)有著堅(jiān)強(qiáng)意志的女性，對不合理的事物總是敢于挑戰(zhàn)。受到組織者的激勵(lì)和影響，諾瑪最終選擇站出來，成為了改變的先鋒。
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設(shè)定在16世紀(jì)的英國，海盜首領(lǐng)莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機(jī)智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領(lǐng)導(dǎo)，繼續(xù)在海上進(jìn)行搶劫商船的行為。為了消滅海盜，沃林率領(lǐng)船隊(duì)出海，在航行途中偶然與里奇的“黑天鵝號”，并和其他兩艘船發(fā)生了遭遇戰(zhàn)。面臨險(xiǎn)境，沃林不得不機(jī)智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰(zhàn)斗，里奇最終受到了懲罰，他的“黑天鵝號”徹底被摧毀。與此同時(shí)，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉(zhuǎn)變?yōu)榫磁澹罱K產(chǎn)生了愛慕之情，展開了一場曲折而離奇的愛情故事。