影片推薦
突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯穿越者之異夢空間
馬文強,寧丹琳,果靜林極度失眠
Maria Mathiesen,斯特蘭·斯卡斯加德,斯威爾·安克·奧斯達,Gisken Armand,克里斯蒂安·菲根斯科志愿軍:浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹維,王陽,張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾冰風暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當·漢拜德,大衛·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼同類精選
邪惡校園
尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald格斗家
周小偉不可饒恕2013
渡邊謙,柄本明,佐藤浩市,柳樂優彌,忽那汐里,小池榮子,國村隼,近藤芳正,小澤征悅,三浦貴大,滝藤賢一告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費斯·洛根,桃樂絲·麥卡錫她不是我媽媽
Artika Sari Devi,奧羅拉·里貝羅,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
古劍奇譚之焚寂天劫
白澍,梁婧嫻,姜震昊,黃羿,王景灝蓬萊大戰三百年后,百里屠蘇終被風晴雪復活,歐陽少恭也被巽芳救出。蚩尤控制少恭危害百姓,眾人合力對抗卻不敵。屠蘇得到女媧指點,將劍魄給予少恭,合體擊敗蚩尤,以死換得天下太平。
執法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時,不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的,他們選擇聯手掩蓋真相。隨著事態逐漸失控,他們才驚覺——監視他們的,遠不止現場的攝像頭…
恭喜發財
石天,譚詠麟,柏安妮,林子祥在現代都市里,居然出了奇怪的大事。某日從天降下一位怪人,而且自稱財仙(譚詠麟),為了逃避群眾追趕,而湊巧遇上了茶室老板及其女兒愛玲、兒子彬彬。隨即他變被打扮成時代青年財仙,替老板解決了不少難題,更積極傳播真理,讓身邊的人人都能幸福快樂。后來,財仙為救汽車失事的愛玲,使用法力搶救但似的自己變成凡人。而后更遭太空署人員圍捕,幸得眾人齊心救援,方才遇難呈祥、逢兇化吉。 香港天皇級的歌手譚詠麟早期80年代的電影作品。譚詠麟雖然憑《假如我是真的》奪得第十八屆金馬獎男主角,但是要數出他的代表作也不容易。因為他所主演的片子大多走搞笑路線,觀眾大多笑完即止。不過其中《小生怕怕》、《少爺威威》、《恭喜發財》也算得上當時優秀的喜劇作品,而且對于在樂壇上作全力沖刺的譚詠麟來說,能出演40多部電影,也可算是一個神話。延續了此前《小生怕怕》、《少爺威威》等片的商業熱力,本片推出后也大獲成功,贏得了接近兩千萬的高票房,站到了年度賣座電影的前五名之內。故事的結局和所有的賀歲片如出一轍,同樣是皆大歡喜。樂呵呵的看完電影,但演員們的精彩表現還是讓人津津樂道,至今翻看起來仍舊能回味無窮。