即刻觀影
劇情賞析
編輯推薦
殺的就是你
莎姬·貝茲,湯姆·費爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個供奉撒旦的邪教，每個月要殺一個人作為祭品，“今晚，選中了你……”
春娥
李心敏,李迎旗,許劍,陳燕伊在通往村東頭的一條田間小路上，剛從縣城回來的侯家二小子侯保見把自行車騎得飛快。快到村口時，保見順便看了一眼在瓜地看瓜的木倉大叔后，急不可待地來到春娥家，擁吻著春娥就往里屋走。自從正月十五看花燈時和春娥好上后，在縣城幫老大看飯館的保見就像丟了魂似地隔三差五就往家里跑。春娥是個命苦的女人。結婚不到二年，丈夫就死了，兒子馬駒都快五歲還不會說話。丈夫死后，漂亮賢惠的春娥里里外外一把手，既操持著家務，還把老公公木倉爹侍侯得就如同自己的親爹一樣。木倉大叔也是一個通情達里的人。兒子死后，木倉大叔就搬出門，帶著不會說話的小孫子馬駒，一心撲在村頭的瓜地里。其實，木倉大叔這樣做也有他另一層心思，那就是木倉大叔理解作為一個女人的苦。畢竟紙里包不住火。保見來的次數多了，從家里跑到瓜地的看家狗“利來”的異常引起了木倉大叔的警覺。終于，春娥和保見的事被木倉大叔發現。這種事要放在別人肯定不會輕饒，但木倉大叔理解兒媳婦春娥的苦。既然生米煮成了熟飯，春娥和保見的事在村主任的撮合和主持下，一個簡單的婚禮算是成全了一對有情人的姻緣。春娥嫁到老侯家后，因為保見害怕他爹的緣故，再加上春娥又是一個寡婦，所以在侯家過著忍氣吞聲的日子。但這一切并不防礙春娥和保見的恩愛。平常的日子里，春娥擔負起一個家庭主婦的重擔，在保見爹挑剔的眼光下，百般小心地盡著一個為人兒媳婦的責任。除此之外，春娥還得隔三差五地回木倉大爹家，給木倉爹漿洗衣服、收拾家務、做一頓熱飯。春娥的苦，春娥自己不說木倉爹也看在眼里。春娥畢竟不是自己的親閨女，有些話不好明說，保見又因為害怕他爹不敢說出來。就這樣，春娥常常為了家庭的和睦忍氣以淚洗面。時間長了，心疼媳婦的保見最終與他爹鬧翻。保見爹因私放高利貸被警察詢問后，春娥把兒子馬駒從瓜地里接回了家。可等春娥再次回瓜地給木倉爹送飯時，木倉爹在勞累過度中沉然睡去，就再也沒有醒來。春娥和保見就著瓜地里的一塊空地，披麻戴孝地下葬了木倉爹。堆起的新墳前，春娥讓兒子馬駒跪下給爺爺磕頭的那一刻，瓜地里一顆熟透的西瓜“噶”地一聲裂成兩半，西瓜裂開處，瓜瓤鮮紅、瓜子如墨。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
莎拉的筆記本
貝倫·魯埃達,馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬·門德斯勞拉，來自馬德里的西班牙律師，為尋找她失蹤的妹妹薩拉，深入剛果叢林的鈳鉭鐵礦產區，營救妹妹
鱷魚萊萊
肖恩·蒙德茲,哈維爾·巴登,吳恬敏,斯科特·麥克納里,溫斯洛·費格雷,布倫特·吉爾曼,薩爾·維斯庫索,多恩·迪皮塔,尤西·丘辟特,科拉·林德爾,馬克·威爾斯,林賽·莫澤,丹尼·所羅門影片改編自風靡全球的同名繪本系列，肖恩·蒙德茲獻聲演唱鱷魚萊萊。 故事講述了小男孩喬什·普利姆跟隨父母舉家搬進大城市的新居，和一只住在閣樓上、能舞會唱的鱷魚成為好朋友的奇遇故事。自帶歡樂屬性的鱷魚萊萊治愈了難以適應新環境的喬什，喬什也努力消除父母對萊萊的偏見。兩小只開啟前所未有的都市歷險，歷經重重歡樂鬧劇，萊萊與普利姆一家最終成為了彼此的家人與伙伴。
協議
貝倫·魯埃達,米蕾婭·奧利奧,達里奧·格蘭迪內蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內薩·布查卡,塞巴斯蒂安·蒙特奇諾莫妮卡有個正值青春期的女兒卡拉，但一天早上卡拉卻因一場奇怪的事件而失蹤，幾個小時後被人發現時已意識不清，醫生更宣告她剩下的時間不多。莫妮卡無法接受自己的女兒已無藥可救，在極度絕望之下，參與了一場暗黑儀式，並跟一名神秘的男人訂下契約，以挽救卡拉的性命。隔天卡拉突然恢復活力，連醫生也無法解釋原因，但莫妮卡的夢魘才正要開始。