黃昏大麗花

? 6.3 播放：36萬 2026-04-23

日本XZ級中文字幕電影，3位女性導演演繹主題為;女性的戀愛和性 rdquo;系列作品的第3彈。由池田千尋導演。女主人公（吉井憐）經營花店，被愛所迷，可三角關系卻又讓她經常看到一些幻象，這讓她很困惑。 　　

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? 播放 黃昏大麗花

劇情提要

日本XZ級中文字幕電影，3位女性導演演繹主題為;女性的戀愛和性 rdquo;系列作品的第3彈。由池田千尋導演。女主人公（吉井憐）經營花店，被愛所迷，可三角關系卻又讓她經常看到一些幻象，這讓她很困惑。 　　

幕后花絮

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

第六感1999

 麥克（布魯斯·威利斯 飾）是著名兒童心理學家，卻也有始終未能治愈的患者，甚至因此遭到槍擊，這名少年隨后也飲槍自斃。這給麥克帶來很大心理陰影，一年后他找到另一個癥狀很像這名患者的男孩柯爾（海利·喬·奧斯蒙 飾），并耐心的做起了他的醫生。柯爾并不容易接近，但麥克還是慢慢贏得 了他的信任，得知了柯爾的秘密。原來柯爾有著靈異的第六感，可以看到鬼魂。雖然這令人感到難以置信，但麥克在證實了事情的真相后還是幫助柯爾接受了這個事實。可是就在問題即將得到解決的時候，麥克卻在柯爾的引導下，發現了一個更令人震驚的秘密……