影片推薦
驅(qū)逐
杰西卡·布朗·芬德利,西恩·哈里斯,約翰·林奇,杰森·索普,亞當(dāng)·赫吉爾,約翰·赫夫南,安雅·麥肯納-布魯斯,詹姆斯·斯旺頓,柯基·法爾考,西姆斯·奧尼爾,Danny Shayler,Amy Trigg,Nigel Travis,Jean St. Clair,Matthew Clarke落難女子
羅伯特·帕丁森,米婭·華希科沃斯卡,大衛(wèi)·澤爾納,內(nèi)森·澤爾納,羅伯特·福斯特獨(dú)自赴死
凱瑞-安·莫斯,道格拉斯·史密斯,弗蘭克·格里羅精靈寶可夢(mèng)：去往超克的時(shí)空
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統(tǒng)子,真堂圭,三宅健太,逢坂力,中西英樹(shù),川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運(yùn)升,秋山龍次,馬場(chǎng)裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏怒海浩劫
李岷城,林妍柔,彭士騰,曹操,黃一晗,于小彬,李巖,李媛,海波天使航班電影版
米倉(cāng)涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一同類(lèi)精選
黑暗深處
塞繆爾·勒·比漢,阿米爾·艾爾凱塞,讓-雨果·安格拉德,托馬·索利韋爾,迭戈·馬丁,布魯諾·桑切斯,馬克·里索,安托萬(wàn)·巴斯勒,Wabinlé Nabié,Rachid Guellaz,Mohamed Aroussi,米卡埃爾·菲圖西,Arthur Guivarch,Carl Laforêt,Yves Turi,菲利普·托雷頓驚變28年2：白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫(kù)斯托,Elliot Benn葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia Ellis功夫機(jī)器俠之南拳
陳虎,王智斷魂小丑
珍娜·凱內(nèi)爾,薩曼莎·斯卡菲迪,戴維·霍華德·桑頓,凱瑟琳·科科蘭,Pooya Mohseni,Matt McAllister,Michael Leavy,凱蒂·馬奎爾,吉諾·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,瑪格麗特·里德,Kamal Ahmed獵殺超自然
約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫影視排行
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
命運(yùn)之書(shū)
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風(fēng)、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書(shū)--命運(yùn)之書(shū)。黑暗籠罩了大地，需要借助筆和書(shū)的力量，但這本書(shū)卻失蹤了，人們以為它永遠(yuǎn)消失了，但數(shù)百年后卻又再度出現(xiàn)……
浮出水面的影子
沈傲君,張偉欣,李佳,姜武故事發(fā)生在某女子監(jiān)獄中。深夜子時(shí)，萬(wàn)籟俱寂，女囚周露（李佳 飾）面無(wú)表情地環(huán)視著陰暗的牢房，壓抑著狂野的情緒，時(shí)間一分一秒過(guò)去，她像下定決心般把雙手伸向了睡在一旁的另一位獄友。黑夜過(guò)去，白晝來(lái)臨，在遭眾獄友輪番凌辱后，周露被管教經(jīng)緯帶進(jìn)了發(fā)泄室中。監(jiān)房高處窗中射入刺眼的陽(yáng)光，陽(yáng)光穿透了周露傷痕累累的胳膊，那是她數(shù)次自殺未果的標(biāo)記。對(duì)著墻上斑駁的鏡片，她陷入痛苦難奈的回憶之中，冥冥間她似乎看到了早亡的父親，以及那個(gè)沾血的洋娃娃，又似乎看見(jiàn)了繼父那雙伸向自己的魔爪，還有被逼的瘋癲的母親，隨后又出現(xiàn)了向自己施暴的丈夫，周露徹底崩潰了......
恐怖故事3：火星來(lái)的少女
任瑟雍,景收真,樸正民,洪恩熙由連續(xù)并相互構(gòu)陷的恐怖元素和花絮構(gòu)成。此次《恐怖故事3》跨越時(shí)間將故事呈現(xiàn)，“過(guò)去”設(shè)置在恐怖故事“狐貍窟”，“現(xiàn)在”聚焦在路怒癥Road Rage，“未來(lái)”段落圍繞人工智能“機(jī)械力”。向觀眾展現(xiàn)不同的元素，釋放不同恐怖刺激時(shí)本片的內(nèi)容和目標(biāo)。