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英宮艷史
查爾斯·勞頓,羅伯特·多納特,富蘭克林·迪亞爾,邁爾斯·曼德,勞倫斯·漢雷故事開始于十六世紀初，因為皇后凱瑟琳（賓妮·巴尼斯 Binnie Barnes 飾）無法生育，英國國王亨利八世（查爾斯·勞頓 Charles Laughton 飾）同她離婚，另娶了名為恩尼（梅爾·奧勃朗 Merle Oberon 飾）的女子為皇后，哪知道野心勃勃的恩尼整天盤算著推翻丈夫的統治自立為王，當她的陰謀敗露之后，亨利八世親手將她送上了斷頭臺。恩尼死后，亨利八世娶了奇恩（溫迪·巴里 Wendy Barrie 飾）為妻，哪知道在生產時，奇恩因為難產而死，只留下了一個可憐的嬰兒威爾斯（邁爾斯·曼德 Miles Mander 飾）。之后，大臣們想要國王迎娶德國公主，可這一次，國王駁回了大臣們的請求。
大熊
亞當·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).
養鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz《倫敦地下城市》一個女記者被派遣到羅馬尼亞首都布加勒斯特調查一個地下自殺邪教“死魂靈”。她很快就陷入了他們的黑暗世界，無法找到回頭路，從而被迫加入他們，迎接一項極為恐怖的事情... ...
沖繩小芙蓉
蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁座落沖繩的「Hotel Hibiscus」，雖然名為酒店，卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動，每天和朋友一起去探險。某日，美惠子放學回家時，遇到了倒在地上的青年，并把他帶回Hotel Hibiscus… 導演中江裕司繼《Nabbie's Love》四年后的新作，《Hotel Hibiscus》繼續以沖繩為舞臺。電影改編自Nakasone Miiko的同名漫畫，描寫小三女生美惠子的冒險和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學生中挑選出來，合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。
交響詩篇超進化2
動畫《交響詩篇》的劇場版動畫《交響詩篇 超進化》續作預計于11月10日正式上映，正式片名定為《ANEMONE/交響詩篇超進化》，宣傳PV今日公開。故事以TV動畫《交響詩篇》中最初的東京為舞臺，故事主要圍繞7年前喪父的安妮莫奈展開。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster