金錢堡壘 (2024)

? 3.8 播放：11萬 2026-04-27

霧港市經(jīng)偵大隊(duì)隊(duì)長鄭義（王千源 飾）在調(diào)查一宗涉及數(shù)百億的股票詐騙案中，發(fā)現(xiàn)韓東川（馮紹峰 飾）以“Dr.Han”的名義，與好兄弟成立“大金牛投顧機(jī)構(gòu)”，利用直播誘導(dǎo)投資，做局詐騙。一場與時(shí)間賽跑的激烈較量，在警方反詐精英與“犯罪天才”之間展開。而隨著調(diào)查深入，真相卻愈加撲朔迷離。韓東川有何隱情？幕后黑手究竟是誰？重重迷局如何破解？在充滿欲望的金錢堡壘之中，一切懸念將被解開……

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? 播放 金錢堡壘 (2024)

劇情提要

霧港市經(jīng)偵大隊(duì)隊(duì)長鄭義（王千源 飾）在調(diào)查一宗涉及數(shù)百億的股票詐騙案中，發(fā)現(xiàn)韓東川（馮紹峰 飾）以“Dr.Han”的名義，與好兄弟成立“大金牛投顧機(jī)構(gòu)”，利用直播誘導(dǎo)投資，做局詐騙。一場與時(shí)間賽跑的激烈較量，在警方反詐精英與“犯罪天才”之間展開。而隨著調(diào)查深入，真相卻愈加撲朔迷離。韓東川有何隱情？幕后黑手究竟是誰？重重迷局如何破解？在充滿欲望的金錢堡壘之中，一切懸念將被解開……

暗夜精選

婚禮上我們討厭的人

艾莉森·珍妮,辛希亞·阿戴-羅賓森,克里斯汀·貝爾,本·普拉特,托尼·戈德溫,約翰·麥克米蘭,喬瑪·塔科內(nèi),達(dá)斯汀·米利甘,朱利安·歐文登,卡蘭·索尼,杰克森·戈登伯格,伊薩赫·德·班克爾,魯弗斯·瓊斯,喬尼·韋爾登,里奇·基伯,Lesley Ewen,艾瑪·戴維斯,羅布·豪森,里查·普拉卡什,勞倫斯·拉塞爾,皮埃爾·伯格曼,安德魯·G·奧格爾比,杰寧·哈瑞妮,阿德南·昆迪,Michelle Thomas,斯圖爾特·惠蘭,Davina Moon

蠟筆小新：灼熱的春日部舞者們

小林由美子,楢橋美紀(jì),森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎(jiǎng),賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹

印度超人

佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙

政壇新星

艾瑪·麥基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德維利,杰克·勞登,庫梅爾·南賈尼,艾伯特·布魯克斯,麗貝卡·豪爾,朱莉·卡夫娜,貝琦·安·貝克,斯派克·費(fèi)恩,茜多·塞絲,Amelie McKendry,阿德里安·M·蒙波因特,喬伊·布魯克斯,埃里卡·麥克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello

復(fù)仇的暗夜

Arya Saloka,Bront Palarae,Marissa Anita

尋磚

張亮,鄂靖文,劉俊孝,鄭強(qiáng),趙毅,李寶安,紅花,傅花道,耿一正,周培巖

當(dāng)邪惡潛伏時(shí)

埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

未來學(xué)大會(huì)

　　曾經(jīng)名噪一時(shí)的女明星羅賓·懷特（羅賓·懷特 Robin Wright 飾）早已過氣，45歲的她因?yàn)閳?zhí)拗和任性毀掉的很多機(jī)會(huì)，也讓公司老板杰夫（丹尼·赫斯頓 Danny Huston 飾）漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約，從此羅賓的名字和三維掃描后的虛擬 形象只能出現(xiàn)在公司的展示墻上和數(shù)字時(shí)代的電影中。羅賓起初極度抵制，但在經(jīng)紀(jì)人艾爾（哈威·凱特爾 Harvey Keitel 飾）的竭力勸說下，同時(shí)考慮到兒子亞倫（柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾）的狀況，這個(gè)倔強(qiáng)的女人選擇妥協(xié)。20年后，羅賓驅(qū)車前往亞伯拉荷馬參加未來學(xué)大會(huì)，而那里是一個(gè)全動(dòng)畫封鎖區(qū)。以動(dòng)畫形象示人的羅賓將經(jīng)歷一次難忘的旅程……　　本片根據(jù)波蘭科幻、哲學(xué)、未來學(xué)作家斯坦尼斯拉夫·萊姆的短篇小說改編。