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Stella 發現她再也不能壓制她多年的欲望。她開始了她的秘密的雙重生活。她化名“獨角獸”去參加各種性愛派對。他的丈夫發現了 Stella 的秘密,但是他除了放任她也不能給她的欲求。然而有一天 Stella 醒來發現自己躺在一個陌生的房間里,她被囚禁起來了……
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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奧馬爾·查帕羅,亞利桑德羅·斯佩特澤爾,葆拉·努涅斯,娜塔莉亞·索利安,路易斯·阿伯提,Vasil Simeonov,伊阿祖婭·拉里奧斯,Lizeth Selene,古斯塔沃·桑切斯·帕拉,Ana Carrillo,Gaudi Chris,José Salof故事圍繞墨西哥特種部隊精英卡洛斯(綽號“公牛”)展開,他在一次任務中成功抓獲了犯罪集團頭目,卻因此遭到報復,妻子在他面前被殘忍殺害,自己也淪為通緝犯。走投無路之際,他意外中了彩票頭獎,一夜之間擁有了復仇的資本。他與摯友、戰友米格爾聯手,將全部財富轉化為武器和情報,從被通緝的逃犯,變成了以暴制暴的“復仇獵人”,目標是讓所有參與殺害他妻子的人,付出最慘痛的代價。
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭(袁百梓卉 飾)擁有著一段悲慘的童年,很小的時候,她就失去了母親,然而莫蘭始終都不知道母親究竟為什么會死,這場悲劇成為了莫蘭內心里最大的謎團和黑洞。時間一年一年的就這樣過去,一轉眼莫蘭便已經長成了亭亭玉立的少女,只是,她從未放棄過想要調查當年事件真相的額念頭。 尹正(林保怡 飾)是莫蘭的師叔,在泰國經營著一家按摩院。莫蘭千里迢迢遠赴泰國尋找尹正,想要借助他的力量開始調查。哪知道來到泰國后,莫蘭的身邊開始接二連三的發生科學無法解釋的詭異事件,甚至還發生了命案,而這一切都和母親當年的死因有著千絲萬縷的關聯。
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