玉焰

★ 6.5 播放：35萬 更新：2026-04-26

警方人員發(fā)現(xiàn)一具被掛在墻上血肉模糊的男性尸體，從他的穿著可知此人屬有錢人家；探長(zhǎng)在房間內(nèi)仔細(xì)地逐一細(xì)看下，終于發(fā)現(xiàn)房?jī)?nèi)擺放著精致的細(xì)小紙盒，每一個(gè)盒內(nèi)載著一小撮女人之物，而其中一個(gè)放著的是一張列滿女人名字的紙條，;玉 ;是其中一個(gè)名字，由于名字是以中國(guó)字書寫的，因此引起探長(zhǎng)的注目，案件亦由此開始逐步揭開，終于發(fā)現(xiàn) 　

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警方人員發(fā)現(xiàn)一具被掛在墻上血肉模糊的男性尸體，從他的穿著可知此人屬有錢人家；探長(zhǎng)在房間內(nèi)仔細(xì)地逐一細(xì)看下，終于發(fā)現(xiàn)房?jī)?nèi)擺放著精致的細(xì)小紙盒，每一個(gè)盒內(nèi)載著一小撮女人之物，而其中一個(gè)放著的是一張列滿女人名字的紙條，;玉 ;是其中一個(gè)名字，由于名字是以中國(guó)字書寫的，因此引起探長(zhǎng)的注目，案件亦由此開始逐步揭開，終于發(fā)現(xiàn) 　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

三個(gè)神探與喀爾巴阡之犬

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木乃伊2026

 一個(gè)被埋藏的秘密，正準(zhǔn)備被揭開。失蹤多年的凱蒂突然回來，但回來的，真的還是原本的她嗎？那些看似“好轉(zhuǎn)”的變化，其實(shí)，是另一種腐敗的開始。