美國(guó)犯罪故事

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American Murderer is based on the true story of Jason Derek Brown - a charismatic con man turned party king who bankrolls his luxurious lifestyle through a series of scams. When his funds run low and his past catches up with him, he plots his most elaborate scheme yet and, in the process, becomes the FBI's most unlikely - and elusive - top ten fugitive.

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American Murderer is based on the true story of Jason Derek Brown - a charismatic con man turned party king who bankrolls his luxurious lifestyle through a series of scams. When his funds run low and his past catches up with him, he plots his most elaborate scheme yet and, in the process, becomes the FBI's most unlikely - and elusive - top ten fugitive.

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承諾2017

楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫(kù)蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達(dá)·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri

  1997年,亞洲金融危機(jī)如同暴風(fēng)雨一般席卷各國(guó),公司倒閉已成尋常,老板富賈逃亡自殺,普通民眾的生活愈加困苦。富家女孩布姆(Thunyaphat Pattarateerachaicharoen 飾)父親所蓋的大樓最終爛尾,遭到父親家暴后,萬(wàn)念俱灰的布姆和伊布(Panisara Rikulsurakan 飾)相約自殺。陰差陽(yáng)錯(cuò),貝爾去往另一個(gè)世界,布姆則茍活人間。  時(shí)光流轉(zhuǎn),20年后的布姆(楠迪·宗拉維蒙 Namthip Jongrachatawiboon 飾)已成為小有名氣的房地產(chǎn)企業(yè)家。某天,她帶著女兒貝爾(安比查雅?松可寒 Apichaya Thongkham 飾)再次來(lái)到當(dāng)年和朋友自殺的爛尾樓。頑皮的貝爾四處游蕩,撿到了母親當(dāng)初和伊布溝通的BP機(jī)。殊不知,一個(gè)孤獨(dú)的靈魂已在此等候多年,只為了踐行未完的承諾……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler

 瑪西,一位年輕女子,被一個(gè)面目猙獰的怪物擄走,這個(gè)怪物一心要把她當(dāng)作自己的孩子撫養(yǎng)長(zhǎng)大。

自殺俱樂(lè)部2001

石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa

 夜色沉沉的東京新宿站,勞碌一天的人們依舊行色匆匆,仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無(wú)憂無(wú)慮的笑容。她們身穿著不同款式的校服,似乎早已約好一般同時(shí)來(lái)到這里,女孩們?cè)谠屡_(tái)前一字排開(kāi),手拉手齊齊跳向飛馳而來(lái)的列車。一時(shí)間血光四濺,54個(gè)鮮活的生命瞬間消失。 這一事件轟動(dòng)全國(guó),與此同時(shí)類似集體自殺的事件愈演愈烈,甚至連調(diào)查此案的警官黑田敏春(石橋凌 飾)及其家人也受到波及。黑田的搭檔涉澤健次(永瀬正敏 飾)通過(guò)不懈的調(diào)查,發(fā)現(xiàn)一連串的自殺事件都和一個(gè)名為“自殺俱樂(lè)部”的網(wǎng)站有關(guān)。事件的真相究竟如何?慘劇最終能否終止?

紅衣新娘2022

莎拉·菲爾伯鮑姆,愛(ài)德華多·諾列加,安娜·加列娜,迪諾·阿布雷夏,克里斯蒂娜·多納迪奧,Maurizio Marchetti,馬西莫·吉尼,羅伯塔·吉拉魯索,Odette Adado,Ippolita Baldini,Angie Balzan,Mariangela Casalucci,Malich Cissé,Angele Galea,巴基薩·梅加,Gino Nardella, 瑪麗西亞·S·佩雷斯,Stefano Pesce,Francesca Rocco,Esmeralda Spadea

  Roberta e Leòn sono due quarantenni precari che inscenano un finto matrimonio per intascare i soldi degli invitati. I due protagonisti si incontrano casualmente su un autobus a Malta quando a lei si rompono le acque e viene trasportata in ambulanza all'ospedale dove partorisce un bambino. Leòn, giornalista di guerra senza incarico, accetta la proposta di Roberta e parte insieme a lei per la Puglia dove organizzano un finto matrimonio allo scopo di dividere i soldi che gli invitati metteranno nelle buste per gli sposi, visto che la famiglia di Roberta è molto benestante e molto conosciuta in Puglia. Il fratello di Roberta cerca di far saltare il matrimonio per ragioni d'interesse. La sera prima del finto matrimonio i due protagonisti vivono una notte d'amore e la mattina seguente lui si dichiara, ma lei lo respinge e insiste per il finto matrimonio celebrato da un falso prete, amico di Leòn. Il fratello di Roberta chiude il finto prete in un capanno e quindi il matrimonio viene celebrato dal parroco del paese ed è valido legalmente. Rientrati a Malta, però, Leon va via lasciando a Roberta tutte le buste regalate il giorno del matrimonio dagli invitati. Un anno dopo Leòn presenta il suo primo romanzo di successo dal titolo Sposa in rosso. Roberta si avvicina all'autore per farsi dedicare una copia del romanzo e lui nella dedica le scrive A MIA MOGLIE. I due vanno a passeggiare insieme sul mare e Roberta gli dice di aver amato in particolare il finale del romanzo e gli rilegge l'ultima frase "avevamo tutto il tempo per rimediare" e si avviano insieme verso il chiosco Vite Parallele.