即刻觀影
劇情賞析
編輯推薦
智勇三寶
許冠文,吳耀漢,陳百祥,岑建勛,陳國新,葉榮祖,午馬,林國斌,葉德嫻,胡因夢,陳欣健一次偶然中，阿秋（吳耀漢 飾）和貝多芬（岑建勛 飾）結(jié)識了犯罪調(diào)查專家阿文（許冠文 飾），志同道合的三人成為了很好的朋友。然而阿秋和貝多芬的真實(shí)身份系大盜，兩人和阿文正邪不兩立，而阿文對此并不知情，三人的關(guān)系在搖搖欲墜之中維系著艱難的平衡。 某日，阿文在商場里撞見了自己的妻子杜白莉（胡茵夢 飾）正在和珠寶富商阿楊（翁世杰 飾）約會，遭到了背叛的阿文感到十分憤怒，決定對阿楊進(jìn)行報(bào)復(fù)。阿文駕駛著自己的機(jī)車要和阿楊的豪車一決高下，哪知道遭遇了車禍，不僅自己受傷，坐騎也報(bào)廢無法再騎，窘迫的時(shí)刻，阿秋和貝多芬及時(shí)出現(xiàn)，替阿文解了圍。
變態(tài)殺手
喬治娜·坎貝爾,詹姆斯·普雷斯頓·羅杰斯,馬爾科姆·麥克道威爾,洛根·米勒,Grace Dove,艾倫·默克,Joshua Banman,Cassandra Ebner,達(dá)倫·馬爾滕斯,辛妮·比斯頓,Nigel Shawn Williams,泰瑞·雷,科比·弗里森,Bailey Chin,Michelle Crossman,Rachel Sheen,凱文·麥金太爾,Robert Nahum,Yan Joseph,Brodie SandersonThe story follows a nameless murderer, wearing a nightmarish mask, randomly murdering people across the U.S. in an attempt to secure his passage to hell. A patrolman’s pregnant wife, a fellow police officer, witnesses the killer murdering her husband and seeks to bring his to justice
懸案密碼3：信仰的陰謀
尼古拉·雷·卡斯,法瑞斯·法瑞斯,帕爾·斯維爾·哈根,雅各布·豪伯格·羅曼,阿曼達(dá)·科林,約翰·路易斯·施密特,雅各布·奧福特布羅,索倫·比爾馬克,邁克爾·布羅斯楚普,莫滕·基爾斯果,洛特·安德森《懸案密碼》系列的第三部：6年前，一只在海上漂流的瓶子在蘇格蘭被打撈上岸，然而里面的求救信卻被視為不祥之物，直到一位調(diào)查人員無意中看出了信件開頭用丹麥文寫著：救命！隨著卡爾和兩名下屬的破解，他們發(fā)現(xiàn)署名“保羅”的作者不僅確有其人，而且在寫下瓶中信后便下落不明...... 為何少年的家人不曾追究他的行蹤？難道他在多年前便已遭遇不測？正當(dāng)調(diào)查陷入膠著，一起離奇車禍讓原本天衣無縫的邪惡罪行露出破綻，串起所有線索的卡爾這才明白，自己面對的并不單是一樁陳年舊案，而是過去十幾年來，許多破碎家庭的絕望呼救…
大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果在本作品中，人們聽了從某個(gè)卡式錄音帶中流淌出的“某個(gè)旋律”后，自己也漸漸哼唱起了那個(gè)旋律，被卷入了不可思議的事件中。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
本能反應(yīng)
安東尼·霍普金斯,小庫珀·古丁,唐納德·薩瑟蘭鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專門研究黑猩猩的人類學(xué)家，他在盧旺達(dá)長期觀察觀察當(dāng)?shù)睾谛尚傻幕顒?dòng)。然而兩年前，這位性情溫和的學(xué)者突然性情大變，殺了兩位當(dāng)?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關(guān)押在美國高度戒嚴(yán)的精神病監(jiān)獄。 年輕的精神病專家卡爾特（小庫珀?古丁 Cuba Gooding 飾）意圖揭開鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進(jìn)行對話。鮑威爾一開始對這位訪客充滿敵意，身為人類學(xué)家的他在卡爾特面前一點(diǎn)也不落下風(fēng)。隨著對話的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實(shí)是偷獵大猩猩的惡棍……