好色成癮
Ruby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. In a snowy park, Ruby meets Opala, another young woman who takes her back to her large and posh country house where both women indulge in more drugs and sex with one another. When Opala leaves for work, and to score more drugs, Ruby, left alone, becomes more crazy and desperate and falls deeper into her addiction by contacting a stripper co-worker to score more dope. Meanwhile, the drug dealer O-Rock, finding that Ruby has stolen his secret stash of dope, arms himself with a knife and some deadly narcotics, and goes out seeking payback... with interest.
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七年很癢
劉青云,應采兒,劉嘉玲,安志杰,蔣怡吹笛人
夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler韓塞爾與葛雷特
千正明,陳智熙,沈恩敬,殷元在火車司機日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內勒維奇,尼娜·揚科維奇,達妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克惡魔的藝術
阿麗莎·維爾斯,蘇帕克森·柴蒙蔻,特林·賽塔歐克,克朗通·拉查塔萬,頌猜·沙圖吞,埃薩拉·奧查庫,尼魯·素查,克里塔尤德·蒂姆納特,鮑勃·布克霍爾茲,雪莉·嘉森,桑迪·福克斯,艾爾維亞·蓋坦,格蘭特·喬治,尤里·洛文塔爾,戴夫·麥羅,蘇珊·馬奎,布萊斯·峇本布魯克,塔拉·普拉特,薩姆·里格爾,克莉絲汀·盧瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃倫絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler Johnson同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
戰刀屠狼2
王天野,景崗山,三浦研一,任悅鳴影片以 1999 年西南邊境為背景,聚焦森林公安的熱血使命,講述了森林公安劉釗(王天野 飾)、老趙(景崗山 飾)、王磊(任愷 飾)三人,在一次常規巡山中,意外撞破境外日本間諜頭目昂山?介德(三浦研一 飾)帶領的境外團伙 竊取我國NSSU血清提取樣本機密,暴力劫獄潛逃后,妄圖翻越大亮山穿越國境線。從平靜巡山到直面窮兇極惡的匪徒,三名森林公安義無反顧開啟阻擊戰,用血肉之軀筑起國境線上的鋼鐵防線,與身負竊密、販毒、謀殺多重罪行的犯罪團伙展開一場生死博弈的硬核警匪大戰!
驚魂記1960
安東尼·博金斯,維拉·邁爾斯,約翰·加文,珍妮特·利,馬丁·鮑爾薩姆,約翰·麥克因泰,西蒙·奧克蘭,弗蘭克·艾伯森,帕特里夏·希區柯克,沃恩·泰勒,盧倫·塔特爾,約翰·安德森,莫特·米爾斯,吉特·卡森,維吉尼亞·格雷格,阿爾弗雷德·希區柯克,珍妮特·諾蘭,羅伯特·奧斯本,海倫·華萊士,Fletcher Allen,沃爾特·培根,弗朗西斯·德塞爾斯,喬治·多克斯塔德,喬治·埃爾德雷奇,哈珀·弗萊厄蒂,薩姆·弗林特,弗蘭克·基爾蒙德,泰德·奈特,帕特·麥卡弗里,漢斯-喬基姆·默比斯,弗雷德·謝威勒年輕的馬里恩·克蘭(珍妮特·利 飾)在Phoenix工作,深受老板洛厄里(沃恩·泰勒 飾)信任。男友薩姆·盧米斯(約翰·加文 飾)在Fairvale經營一家五金店,因要替亡父還債又要支付前妻贍養費而無力再婚,只能借出差的機會偶爾來與馬里恩幽會。馬里恩對此感到不滿,于是在周五下午趁機攜四萬美元公款駕車潛逃。可是馬里恩的潛逃之路并不順利:先是在出城的時候被洛厄里目擊,周六一大早又被警察懷疑。花了七百美元以舊車換新車之后,馬里恩繼續忐忑地行駛。入夜后,天降大雨,視線模糊,無法行駛,馬里恩只得將車泊入路邊的貝茨汽車旅館投宿。老板諾爾曼(安東尼·珀金斯 飾)十分友善,試圖邀請馬里恩到家里共進晚餐,可惜被兇惡的母親粗暴阻止,只得將晚餐端至旅館客廳。馬里恩在客廳一邊進餐一邊與諾爾曼交談,終于決定周日返回Phoenix。用餐完畢,馬里恩回房沐浴。這時,一個老婦的身影突然出現在衛生間……
判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡殘唐亂世,瘟疫橫行,傳言妖女吳雙化為邪祟禍害人間。然而,吳雙的哥哥不良人吳令,從不相信自己善良的妹妹會是所謂妖女,他決心以縫尸還魂的秘術,復活被斬首的妹妹,在暗影涌動的瘟神廟中,設下詭局,審判真正的惡人,求一份清白與公道。 影片根據短篇小說《古廟夜譚》改編。
八棺索財
喻恩泰,曹鶴陽,蘇濛濛一個商業酒店因為三起離奇死亡案件被社會各界所關注,一時間流言四起,有人說這是蓄意謀殺,也有人認為純屬意外,甚至網絡上有神人稱酒店施工曾挖出八具棺材,地形暗合了一個叫“八棺索財”的道家陣法。記者蘇莉、女網紅與其老公陳宇天,兩撥看似不相干的人組成奇葩小分隊,一起走進詭異酒店,等著他們的,是福還是禍?