目迷五色

評分：0.0 播放：18萬 更新：2026-04-24

五位東洋明星女作家寫劇本、五位新鮮導演.大旗、五位一線女優性感出演，攪盡創意為你帶來五套關于情欲的短片。 　《桃》長谷川京子咬著家鄉的蜜桃，彷彿回到14歲時的y-蕩年代；《太陽底下》釘子截的士誤上賊車，整夜由愛欲直到纏綿相惜 　《夜之舌尖》晶子發現將心儀對象的頭髮放進香爐，一夜纏綿的心愿就能實現，從此她的眼中只有頭髮；雌性誘惑(FEMALE)《女神足踝》小男生迷上小女生的母親，戀母情結一發不可收拾；《玉蟲》老咸蟲遭雷劈，情婦發現愛欲。　條條短片創意先行、極費心機，絕非一般大片可比。 　　

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許光漢,袁澧林,陳澤耀,韓佩瑤,董瑋,陳輝虹,駱振偉,許恩怡,謝詠欣

在一場世紀大地震后，矗立于海中央的“重力墻”將世界一分為二，形成兩個不同的時區和重力環境，“優日區”的一天，是“長年區”的一年。長年區長大的薯仔（許光漢 飾）對來自優日區的實習醫生安晴（袁澧林 飾）一見鐘情，面對時間和地理的巨大阻礙，薯仔和安晴用盡全力雙向奔赴，以年思念，以日相見。在失衡的時空里，他們能否堅定地愛到最后，守護這場刻骨銘心的愛戀？

終端

瑪格特·羅比,西蒙·佩吉,德克斯特·弗萊徹,麥克·梅爾斯,馬克斯·艾恩斯,卡塔莉娜·凱斯,尼克·莫蘭,Les Loveday,卓丹·鄧,馬修·劉易斯,托馬斯·圖爾格斯,杰伊·辛普森,羅伯特·古德曼,保羅·雷諾茲

　　在這個神祕又黑暗的城市裡，犯罪，只是家常便飯。被絕癥折磨的教師比爾（賽門佩吉飾演）試圖自我了斷，但始終想死卻死不成。某日，比爾在深夜的咖啡廳裡結識了美豔金髮女服務生安妮（瑪格羅比飾演）。兩人竟因為「如何成功自殺」這話題而打開話匣子，培養出一段詭異友誼…。而在城市的另一角落，兩位正在執行危險任務的殺手（麥斯艾朗、戴克斯特佛萊契飾演），為了獲得高額賞金在城市之間來回奔走，急切想要找到暗殺目標的線索…。　　然而夜班警衛（麥克邁爾斯飾演）的出現，竟意外牽起這兩組貌似毫無關聯的人物。隨著一樁又一樁的犯罪事件發生，也逐漸揭露出眾人的神秘過去，以及交織而成的愛恨情仇。最終，他們發現自己全被捲入一場錯綜複雜的犯罪大計。究竟他們能否找出事實真相？而事件背後的神秘主謀又是誰呢？

送葬人2023

那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon

　　講述一名法學院畢業生喬德回到家鄉準備司法考試，但做殯葬業的父親卻生病了，怕鬼的他只好硬著頭皮協助家業。而錫安因為無法接受前女友的死亡，想方設法希望能再跟她見上一面，因此來幫喬德的忙。究竟在這個生與死交會的地方，他們會遇見什么樣的故事呢？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.