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致命錄像帶94
安娜·霍普金斯,Sean Patrick Dolan,德魯·維爾戈維爾,達克斯·拉維納1994年，一隊野蠻的緝毒警察來到一處倉庫，并在其中發現大量邪教信徒和散播的錄像：①霍莉和攝影師去下水道探尋神秘生物，卻在這遇上此生難忘的恐怖經歷。②守靈教堂內，守夜人平靜守夜，但風暴來臨后會發生什么？③印尼科學家妄圖創造人機合一的神話，卻不料一隊特警早以虎視眈眈 ④一隊反社會份子盯上國會大廈打算引爆大廈，卻不料他們的計劃將會迎來怎樣的變數？鏡頭之外，死亡的魔爪正緩緩伸向小隊成員…
風車小騎士
Facundo Reyes,Marina Blanke,Julian Janssen"Giants of La Mancha" is an extraordinary and adventurous journey for the whole family, following 11-year-old Alfonso, heir to Don Quixote, and his three imaginary rabbits, which are joined by Pancho and Victoria. With their power of friendship, they save their beloved hometown somewhere in La Mancha from a huge storm.. They dream the impossible dream, overcome their fears, and use their imagination to find the real force behind the storm.
化劫
黃冠智,雷嘉汭,劉子銓,曾莞婷,黃騰浩,柯叔元,于子育,席惟倫影片改編自笭菁的同名恐怖小說。 萬萬不可將八字交給他人，否則……后果自負。
養鬼吃人10：審判
希瑟·蘭根坎普 , 蘭迪·韋恩 , 約翰·古拉格 , 凱特·瓊斯 , Rheagan Wallace , 亞歷山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole影片講述3名警探在調查一起謀殺案時，卻已悄悄落入釘子人的陷阱... 新任“釘子頭”由《罪惡之城》男星保羅·T·泰勒飾演，影片將于2017年在美國上映。 據外媒報道，《猛鬼追魂》第10部影片《猛鬼追魂：審判》（Hellraiser:Judgment）首度曝光了造型照，令人聞風喪膽的“釘子頭”現身，由《罪惡之城》男星保羅·T·泰勒飾演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖電影之一，除驚人的血腥場景外，更借助肉體的痛苦達到靈魂的救贖，追求一種由魔入道的境界。…
大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹處死朱由樺的當天，朱由樺離奇失蹤，梅兒和蘭心都因此受到責罰。蘭心不顧太子反對，執意要將朱由樺送還給三皇子，卻發現馬車上的孩子竟然不翼而飛。蘭心和太子感情出現嫌隙，梅兒和金碧瑤使出渾身解數爭得太子寵愛。太子和萬歷等人到郊外狩獵，有人暗殺太子，梅兒為太子擋下一箭，生命垂危，太子深受感動，認為欠梅兒太多。上官鴻業調查太子行刺事件，卻發現幕后的真兇并不是眾人猜想的三皇子，而是梅兒。梅兒冊封當天，鄭貴妃揭出了梅兒乃娼妓之女的秘密，讓梅兒不能受封。鄭貴妃趁勢發動自己的親信彈劾上官鴻業，蘭心救父心切，卻誤會太子，兩人再次不歡而散。失蹤多日的朱由樺突然出現在蘭心房中，將朱由樺放入籃子中帶入宮去，卻被梅兒換成了旋兒，蘭心帶“朱由樺，”進宮，巧遇為上官鴻業來求情的太子，太子再次產生了誤會。在王恭妃和鄭貴妃的逼迫下，太子提劍殺死了璇兒 ，等知道時璇兒已經沒有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去，太子策馬追去，卻尋不見蹤影了。皇上以太子妃一位不可久缺為由，冊封大學士王中澤之女王氏為太子妃。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster