晚娘2

★ 9.5 播放：58萬 更新：2026-04-28

一次偶然中，太普（Andy-Watchra Thungkaprasert 飾）結識了名叫麗安（海倫.妮瑪 Helen Nima 飾）的美麗女子，麗安的溫柔和善良吸引了太普的注意。回到家中后，太普才發現，原來麗安是父親新娶的妻子，是自己名義上的母親。 太普的父親是個性格十分粗暴的男人，他曾經救過麗安的性命，如今，麗安用以身相遇來報答他的恩情。在太普父親的眼中，麗安不過就是一個保姆外加他發泄獸欲的對象。發現了父親對麗安的所作所為，太普十分憤怒，他和父親之間好不容易回暖的關系也因此而跌入了冰點。太普一直壓抑著心中對于麗安的感情，麗安亦是如此，然而，感情最終迎來了決堤的那一天。 　　

在線播放

劇情簡介

一次偶然中，太普（Andy-Watchra Thungkaprasert 飾）結識了名叫麗安（海倫.妮瑪 Helen Nima 飾）的美麗女子，麗安的溫柔和善良吸引了太普的注意。回到家中后，太普才發現，原來麗安是父親新娶的妻子，是自己名義上的母親。 太普的父親是個性格十分粗暴的男人，他曾經救過麗安的性命，如今，麗安用以身相遇來報答他的恩情。在太普父親的眼中，麗安不過就是一個保姆外加他發泄獸欲的對象。發現了父親對麗安的所作所為，太普十分憤怒，他和父親之間好不容易回暖的關系也因此而跌入了冰點。太普一直壓抑著心中對于麗安的感情，麗安亦是如此，然而，感情最終迎來了決堤的那一天。 　　

導演精選

尼諾

距離人生重大考驗只剩三天，尼諾卻要先完成醫生布置的兩項關乎存亡的使命。這場穿越巴黎的救贖之旅，迫使他重新系緊與世界的羈絆，更要直面內心深淵。

丟失的彩票

一個搶劫喜劇電影，關于一群人的生活從手嘴一起作為一個團隊的使命，從一個黑手黨債權人拿了中獎的彩票不知道它贏得了3000萬泰銖的獎金回來!

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.