惡人之妻的屁股

評(píng)分：5.0 播放：55萬(wàn) 更新：2026-04-28
主演： 樹花凜 

本片由日本女優(yōu)樹花凜主演，樹花凜，日本著名女優(yōu)，參演多部經(jīng)典作品，因外表楚楚動(dòng)人，常常扮演蘿莉等角色，另外，她還是一名重口味演員，舉辦過緊縛攝影會(huì)，對(duì)捆綁、SM非常熱愛，本片也是她主演的一部捆綁類型電影。本片講述了由樹花凜飾演一位社長(zhǎng)夫人，社長(zhǎng)唯利是圖，是個(gè)十惡不赦的商人，曾有一個(gè)工廠工人苦苦哀求社長(zhǎng)收購(gòu)他們工廠生產(chǎn)的產(chǎn)品，可是社長(zhǎng)并沒有把他看在眼里，工廠倒閉后，傷心欲絕的工人決定跟社長(zhǎng)死磕到底，他闖進(jìn)了社長(zhǎng)家中，強(qiáng)奸了社長(zhǎng)夫人，并將她捆綁起來(lái)，在社長(zhǎng)回家后，再次綁架了社長(zhǎng)，當(dāng)著社長(zhǎng)的面，再次對(duì)社長(zhǎng)夫人進(jìn)行性侵和侮辱..... 　　

影片推薦

副總統(tǒng)

克里斯蒂安·貝爾,艾米·亞當(dāng)斯,史蒂夫·卡瑞爾,山姆·洛克威爾,娜奧米·沃茨,艾麗森·皮爾,埃迪·馬森,賈斯汀·柯克,麗莎蓋伊·漢密爾頓,杰西·普萊蒙,比爾·坎普,唐·麥克馬納斯,莉莉·拉貝,謝伊·惠格姆,斯蒂芬·阿德利·葛爾蓋,泰勒·派瑞,杰夫·博斯利,吉利安·阿美娜特,馬修·雅各布斯

母親的皮下

安吉莉·芭雅妮,Beauty Gonzalez,賈絲敏·柯提斯-史密斯

末日逃生2：遷移

杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar

我是臥底2026

鄒兆龍,于榮光,李彥奎,王韜,文東俊,張沙沙,王鉑清

突襲2026

楊杏,宮宏佳

偽叛國(guó)者

威廉·霍爾登,莉莉·帕爾默,休·格里夫斯,卡爾·拉德茨,Ernst Schr?der,查爾斯·雷尼爾,英格麗·凡·貝爾根,沃爾夫?qū)て杖R斯,維爾納·彼得斯,埃麗卡·比爾,Stefan Schnabel,克勞斯·金斯基,埃里克·舒曼,波爾·賴希哈特,John Wittig,Louis Miehe-Renard,Kai Holm,Jens ?sterholm,J?rgen Krogh,伊娃·達(dá)爾貝克,烏爾夫·帕姆,約翰·班納,Martin Berliner,Jochen Blume,菲爾·布朗,馬克斯·布施鮑

同類精選

影視排行

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

本能反應(yīng)

安東尼·霍普金斯,小庫(kù)珀·古丁,唐納德·薩瑟蘭

　　鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專門研究黑猩猩的人類學(xué)家，他在盧旺達(dá)長(zhǎng)期觀察觀察當(dāng)?shù)睾谛尚傻幕顒?dòng)。然而兩年前，這位性情溫和的學(xué)者突然性情大變，殺了兩位當(dāng)?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關(guān)押在美國(guó)高度戒嚴(yán)的精神病監(jiān)獄。　　年輕的精神病專家卡爾特（小庫(kù)珀?古丁 Cuba Gooding 飾）意圖揭開鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進(jìn)行對(duì)話。鮑威爾一開始對(duì)這位訪客充滿敵意，身為人類學(xué)家的他在卡爾特面前一點(diǎn)也不落下風(fēng)。隨著對(duì)話的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實(shí)是偷獵大猩猩的惡棍……

侏羅紀(jì)統(tǒng)治

Eric Roberts,Jack Pearson,Jamie Bernadette

　　In Jurassic Domination, “When two military-made, weaponized dinosaurs attack a small mountain town, it’s up to the sheriff to figure out a way to stop the creatures before the dinos escape and wreak havoc nationwide.” Eric Roberts (The Dark Knight), Jack Pearson (Pam & Tommy), and Jamie Bernadette (“NCIS: New Orleans”) lead the movie’s cast.

恐怖買家

勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi

以下兩位千禧一代將他們不擁有的紐約公寓賣給了不知道自己被騙的新買家。這個(gè)騙子干得很出色，直到他們遇到了一個(gè)公寓老板，他有一個(gè)黑暗的秘密，把這個(gè)游戲玩弄在他們身上。