他人之巢

? 6.3 播放：61萬 2026-04-25

結婚七年的秀熙因為丈夫的生理缺陷一直不能生育，漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態(tài)所遷怒，開始虐待秀熙。秀熙對生命的意義產生懷疑，后遇到丈夫的同事民旭，兩人產生了感情。炳努得之二人情事，十分震怒，對兩個人大發(fā)雷霆。秀熙和民旭為避開炳努來到海邊。最終，炳努還是原諒了他們，并認可了他們的感情。沒想到，第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip; 　　

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劇情提要

結婚七年的秀熙因為丈夫的生理缺陷一直不能生育，漸漸對生活有了倦怠之意。丈夫炳努為妻子的這種精神狀態(tài)所遷怒，開始虐待秀熙。秀熙對生命的意義產生懷疑，后遇到丈夫的同事民旭，兩人產生了感情。炳努得之二人情事，十分震怒，對兩個人大發(fā)雷霆。秀熙和民旭為避開炳努來到海邊。最終，炳努還是原諒了他們，并認可了他們的感情。沒想到，第二天秀熙卻看到了警察送來的丈夫的尸體 hellip; hellip; 　　

幕后花絮

黑羊

　　Al（提姆·麥錫森 Tim Matheson 飾）是個十分被看好的州長候選人，很怕因為他的笨蛋老弟Mike（克里斯·法雷 Chris Farley 飾）蒙羞，于是雇了Steve（大衛(wèi)·斯佩德 David Spade 飾）來看管Mike以免他出什么亂子，從這一刻起就狀況百出、 笑料不斷。　　全片就像是一個喜劇大雜燴，讓您捧腹大笑，跌破眼鏡。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.