密室禁錮12小時 (1994)

★ 0.5 播放：21萬 更新：2026-04-25

　　方曉詩父親好賭成性,欠下高利貸大筆債項.某夜,黑幫上門追債未果,方父母被打傷致死,曉詩更被捉往黑幫老巢,被首領Tony及陳坤輪暴.曉詩身心受創,趁機逃脫,矢志報復.其后,在摯友阿蘭及男友家威協助下,終一舉將黑幫消滅,曉詩得報父母被殺之仇,感慨萬千 　　編劇,鄭承偉;制片,陸伍;監制,吳進旺;出品人,吳進旺;故事,陳威安;副導演,鄭承偉,黃正祥,方麗雅;總監,吳韋德;策劃,何添佑,鐘福文;攝影,劉季平,陳鐘源;攝影助理,陳永慶;剪輯,黃正祥;燈光,林水炳,劉明樹;場務,邱富義;化妝,徐青明;爆破,月吉祥;劇照,陳火慶;音樂,高萍;效果,郭英俊;沖印,新大都沖印;錄音,富國錄音室.

在線播放

劇情簡介

　　方曉詩父親好賭成性,欠下高利貸大筆債項.某夜,黑幫上門追債未果,方父母被打傷致死,曉詩更被捉往黑幫老巢,被首領Tony及陳坤輪暴.曉詩身心受創,趁機逃脫,矢志報復.其后,在摯友阿蘭及男友家威協助下,終一舉將黑幫消滅,曉詩得報父母被殺之仇,感慨萬千 　　編劇,鄭承偉;制片,陸伍;監制,吳進旺;出品人,吳進旺;故事,陳威安;副導演,鄭承偉,黃正祥,方麗雅;總監,吳韋德;策劃,何添佑,鐘福文;攝影,劉季平,陳鐘源;攝影助理,陳永慶;剪輯,黃正祥;燈光,林水炳,劉明樹;場務,邱富義;化妝,徐青明;爆破,月吉祥;劇照,陳火慶;音樂,高萍;效果,郭英俊;沖印,新大都沖印;錄音,富國錄音室.

導演精選

阿提克斯研究所

　　20世紀50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創建了靈學實驗室阿提克斯研究所，針對超能力、透視、讀心術、隔空取物等邊緣學科展開研究。雖然遭遇了無數的挫折與嘲笑，但是韋斯特博士仍堅持不懈朝著目標前進。1975年，他的實驗室因某起騙局而被迫關閉，就在此時一個略顯神經質的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實驗室。她之前因傷而擁有了超能力，而其看似貨真價實的超能力迅速令見多識廣的科學家們大為折服。在這一過程中，朱迪思的能力不斷加強，甚至已經到了失控的程度。　　這已遠遠超出了超能力的范疇，謎團背后惡魔的身影時隱時現……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

阿特拉斯聳聳肩2

　　Feature adaptation of the 1957 novel by Ayn Rand.