劇情縱覽
敷島家的長女澄子與未婚夫訂婚兩年之久,卻一直以事業為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產生曖昧的同時,度假莊園的傭人卻也盯上了大小姐。
敷島家的長女澄子與未婚夫訂婚兩年之久,卻一直以事業為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產生曖昧的同時,度假莊園的傭人卻也盯上了大小姐。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
電影改編自1957年的百老匯音樂劇,講述了20世紀50年代紐約街頭的“噴氣機幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭斗,以及分屬不同幫派的“苦命鴛鴦”托尼(安塞爾·埃爾格特 飾)和瑪麗亞(瑞秋·齊格勒 飾)的愛情。
講述美國西部在南北戰爭15年間的多方面擴張及聚居,這段史詩般的旅程充滿了危險和陰謀。
羊村守護者收到“光之大陸”的緊急求救,毅然踏上危機四伏的營救之路,面對未知的陰謀與強敵。羊狼們是否能撥開迷霧重見光明,光之大陸的命運又將何去何從……光明與黑暗的決戰一觸即發。