団鬼六:少女束縛畫圖
本劇是將官能小說的先驅暫無內容middot;團鬼六的原作改編成浪漫色情的鬼才暫無內容middot;小沼勝的映像化的色情電視劇。在大學研究浮世繪的青年,被怪異殘酷畫所擁有的異樣的世界所迷惑,描繪了墮入倒錯世界的模樣。;日活名作浪漫系列暫無內容rdquo;。R-18作品。暫無內容內容(;Oricon暫無內容rdquo;數(shù)據(jù)庫)暫無內容以數(shù)字暫無內容middot;新主人方法DVD化做了精選的名作的日活名作浪漫系列。小沼勝導演用妖艷華麗的手法描寫了作家團鬼六的官能美的世界,是一部官能作品。早野久美子、江角英、高橋明等人出演。R-18作品。
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劇情簡介
本劇是將官能小說的先驅暫無內容middot;團鬼六的原作改編成浪漫色情的鬼才暫無內容middot;小沼勝的映像化的色情電視劇。在大學研究浮世繪的青年,被怪異殘酷畫所擁有的異樣的世界所迷惑,描繪了墮入倒錯世界的模樣。;日活名作浪漫系列暫無內容rdquo;。R-18作品。暫無內容內容(;Oricon暫無內容rdquo;數(shù)據(jù)庫)暫無內容以數(shù)字暫無內容middot;新主人方法DVD化做了精選的名作的日活名作浪漫系列。小沼勝導演用妖艷華麗的手法描寫了作家團鬼六的官能美的世界,是一部官能作品。早野久美子、江角英、高橋明等人出演。R-18作品。
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保護者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛(wèi),濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達,茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick Genta金發(fā)
巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內田慈看得見時間的男人
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安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒我的曼啊:2025圣誕特別篇
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芭比真人版
在夢幻浪漫的芭比樂園里,美麗自信的芭比們每日過著快樂無憂的生活,她們活躍在每一個工作崗位,肯是點綴,女孩的聚會才至關重要。直到某一天,我們的主角芭比(瑪格特·羅比 Margot Robbie 飾)突然提到了生死,她的完美生活毫無征兆發(fā)生改變。她的口氣不再清新,面容開始猶豫憔悴,也無法輕盈地從頂樓飄落下來。經(jīng)前輩點播,她意識到人類世界某個人和她建立著聯(lián)系,而那個人的心境似乎正投射到芭比的身上來。為了找回曾經(jīng)的完美生活,芭比和肯(瑞恩·高斯林 Ryan Gosling 飾)輾轉來到現(xiàn)實世界,并經(jīng)過一番波折見到了葛洛莉婭(亞美莉卡·費雷拉 America Ferrera 飾)母女,而肯也在見識到男權社會的魅力之后,心中升起要改變芭比樂園的念頭……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
探子阿堅:無頭奇案
故事發(fā)生在大約200年前的越南阮朝,探子阿堅受某村莊的邀請,前來調查神秘失蹤的案子....