影片推薦
啄木鳥和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努火車司機(jī)日記
拉扎爾·里斯托夫斯基,佩塔爾·科拉克,米爾亞娜·卡拉諾維奇,雅絲娜·杜里契奇,穆拉登·內(nèi)勒維奇,尼娜·揚(yáng)科維奇,達(dá)妮卡·卡斯托夫斯基,哈里斯·布里納,蒂赫米爾·斯塔尼克,帕夫萊·埃里克,朱吉娜·拉迪克,內(nèi)納德·西里克,娜塔莎·馬爾科維奇,尼古拉·布拉托維奇,博揚(yáng)·迪米特里耶維奇,喬萬·卡斯托夫斯基,亞歷山大·格里戈利克穿越山海走向你
劉婉露,周浩東,海拉提·哈木,帕拉沙提·阿依克什阿爸請(qǐng)你嘛嘛吼
邱凱偉,嚴(yán)正嵐,陳峻廷,張哲偉,潘慧如,賴銘偉我的的士爸爸
高山,邢露勻,易莉,楊曦,陳梓桐,李嘉欣侏羅紀(jì)公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費(fèi)雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾同類精選
聰明人
丹尼斯·奎德,莎拉·杰茜卡·帕克,托馬斯·哈登·丘奇,艾利奧特·佩吉,艾什頓·霍爾姆斯,克里斯汀·拉蒂尋找身體2
橋本環(huán)奈,真榮田鄉(xiāng)敦,櫻井海音,安齊星來,鈴木福,本田真凜,吉田明彥手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫(kù)曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文國(guó)家韋恩:念舊
Wayne Colley,Tamara Stackhouse,Lauren Cadogan,Savannah Gurule東北戀哥3:冬天里的一把火
包貝爾,張夢(mèng)露,喬杉,潘斌龍,韓彥博,韓云云,張呈大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
柔似蜜
劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達(dá)納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當(dāng)·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅改編自Frank Shyong撰寫的《洛杉磯時(shí)報(bào)》報(bào)道《一個(gè)垂死母親的計(jì)劃》(A Dying Mother’s Plan)。來自真實(shí)事件,被形容為“讓人心碎的故事,聚焦理解心理疾病的多層面的重要性,尤其是亞裔社群中”,講述在圣蓋博谷,一個(gè)患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對(duì)大規(guī)模槍擊案越發(fā)沉迷。
不實(shí)夢(mèng)境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek ThompsonLucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.
端島計(jì)劃
蘇查·瑪娜英,阿萍雅·薩庫(kù)爾加倫蘇,吳翊歌,亞歷山大·倫德爾南、歐、尼克、竇和梅是五個(gè)剛畢業(yè)沒多久的新新人類,出于對(duì)影視行業(yè)和靈異題材的熱愛,他們拍攝了一支鬧鬼廢墟的小短片。雖然沒有獲得相關(guān)公司的認(rèn)可,但一經(jīng)上傳后很快得到網(wǎng)友的廣泛關(guān)注和支持。在此之后,專門拍攝靈異題材的制作公司鬼域(Ghost Land)聯(lián)系到他們,邀請(qǐng)三個(gè)人前往端島拍攝。端島是位于日本長(zhǎng)崎一座形狀酷似軍艦的島嶼,19世紀(jì)末曾憑借豐富的礦藏贏得某大型企業(yè)的關(guān)注,但是隨著能源方式的改編如今已變成遍布廢墟的荒島?! o所顧忌的年輕人們登上端島,期間還遭遇傳說中的美女美子的鬼魂,他們就此厄運(yùn)纏身……