劇情縱覽
當今各種交友軟體推陳出新,約炮文化盛行,人人都只想要談場速食愛情。生于千禧世代的馬汀和蓋比因為交友軟體而相識,隨即陷入如膠似漆的熱戀期,感情卻隨著時間過去越趨平淡,兩人都迫切渴望擁有新的刺激。身處在這個充斥;開放式關系 的花花世界里,這對情侶究竟能否維持;穩定交往中 ;的感情狀態,還是會徹底迷失在選擇泛濫的社群網路之中
當今各種交友軟體推陳出新,約炮文化盛行,人人都只想要談場速食愛情。生于千禧世代的馬汀和蓋比因為交友軟體而相識,隨即陷入如膠似漆的熱戀期,感情卻隨著時間過去越趨平淡,兩人都迫切渴望擁有新的刺激。身處在這個充斥;開放式關系 的花花世界里,這對情侶究竟能否維持;穩定交往中 ;的感情狀態,還是會徹底迷失在選擇泛濫的社群網路之中
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
卡拉夢為了成為知名的網紅,決定在自己的公寓里偽造一場鬧鬼事件。然而令她沒想到是,她的行為意外招來了不懷好意的東西。
該片故事講述一名變態殺手(克里斯托弗·阿波特 飾)計劃在酒店招妓(米婭·華??莆炙箍?飾),并將其謀殺。然而他計劃卻失敗了。
備案單位愛奇藝影業(重慶)有限公司 梗概:龍口鎮近來怪事不斷,外鄉人青云子和張不平游歷至此,意外卷入神秘事件當中,他們最終揭開真相,守護了龍口鎮的安寧。