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同款熱播
陷入麻煩的女孩
Columbus Short,Wilmer Valderrama,Alicja BachledaA Lower East Side bartender becomes entangled in a murder mystery involving a desperate woman, a missing drug dealer and the scion of a powerful investment firm.
平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亞諾是兩個生活拮據的五十多歲男人，他們秉持著“絕不錯過最后一杯酒”的人生哲學。在一次偶然的機會中，他們結識了朱利奧，一位性格內向、對人生感到迷茫的建筑學學生。這場看似不經意的邂逅，卻逐漸演變成了一場穿越威尼斯平原的混亂公路旅行。 在旅途中，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰朱利奧對人生和愛情的原有計劃。這場旅程不僅重新定義了他們彼此的生活，也讓朱利奧開始重新思考自己的未來方向。
九龍挎刀去白馬
羅立群,黃濤一把刀守一個信念，老兵從九龍鎮殺向白馬關，冒死押送之路步步藏殺機。絕境中他背水一戰，縱敵人環伺，仍以諾言為重，且看其如何突出重圍！
我老婆不是人
梁家輝,關之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭建筑師托尼（梁家輝 飾）的個性十分木訥老實，以至于他暗戀同時艾琳（陳雅倫 飾）多年，卻總也鼓不起勇氣表白，更糟的是，艾琳已有一位感情親密的男友，托尼的單戀似乎注定不會有結果。一次偶然中，托尼被猛鬼纏身，索性得到名為嘉嘉（關之琳 飾）的女鬼相助才得以脫身，也正因為這件事，托尼擁有了能與嘉嘉心意相通的特異功能?！ 〉弥送心岬目鄳?，熱心的嘉嘉決定幫他一把，一番波折之后，艾琳終于離開了男友，投入了托尼的懷抱，可是，直到這時，托尼才發現自己其實早已經深深的愛上了嘉嘉，無奈人鬼殊途，無法承受分離之苦的托尼竟然決定殉情。
梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒梅根斯和艾米性格迥異，卻成為了最好的朋友。一天梅根在網絡聊天室里遇見男孩喬希，兩人一投即合。然而，梅根在去見喬希后神秘消失，艾米于是竭盡全力尋找好朋友。(文/life_is_good@YDY)
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster