廚師、大盜、他的太太和她的情人
艾爾伯特 bull;斯畢卡（Michael Gambon 飾）及其爪牙敲詐勒索，無惡不作。到了晚上他便會帶著妻子和徒眾來到其所擁有的餐廳用餐，在這里艾爾伯特依然處于中心地位，他高談闊論、粗俗無理，蠻橫地統治者身邊的一切。妻子喬治娜（Helen Mirren 飾）對這個性無能卻兇殘暴力的丈夫敢怒不敢言，只得小心應付然而幾次晚宴過后，喬治娜卻被旁邊桌上一個舉止儒雅的紳士所吸引，憑借廚師的穿針引線，她得以避過丈夫的耳目和情人約會。但私情總有敗露的一天 本片榮獲1991年芝加哥電影評論協會最佳外語片獎。
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同款熱播
圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩Molly Dunn（Jhey Castles 飾）從小熱愛地理，她曾在半夜做實驗鬧得家人不得安寧，但是她并不是一個十分幸運的孩子，父親很早就死于一場地震災害中。長大后Molly成為了一名地質學家，在一所大學教書，某天她正在做一項預測地震的試驗，安放在各處的傳感器數據顯示即將會有一場大地震發生，她必須通知所有人撤離，但是她的力量實在太薄弱了，并沒有人愿意聽信她的預測，地震如期而至，她只有與時間賽跑，盡可能的拯救更多的人。
鳴槍警告
David Spade,詹姆斯·厄爾·瓊斯,弗蘭克·威利一位單身母親和她的小女兒努力維持生計，直到他們從祖父那里繼承了農舍。 當一個家族企業的競爭對手派武裝人員用武力將水權帶到農場的小溪時，情況開始失控。
旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪該片根據編劇的童年經歷進行創作。影片講述女主旺姆在丈夫離世之后，秉持著傳統，為了丈夫來世不需背負生前的債務，而接手丈夫生前巨額的債務替他還債，從而一步一步被生活逼到絕境的故事。
不允許帶狗
卡洛·克拉姆林,羅賓·桑德曼,卡塔琳娜·瑪麗·舒伯特,斯蒂姆拜爾·蒙克,比內塔·漢森,肖恩·道格拉斯,薩米·施賴恩,維拉·菲,麗莎·里斯納,奧勒·伊斯菲特,理查德·基普,卡塔琳娜·雷,拉爾夫·霍尼克,弗蘭茨·費迪南德·克勞斯,卡特婭·烏菲爾曼,芬雷·德亞文十五歲的加博，表面過著平凡簡單的青少年生活，背后卻隱藏著不可告人的秘密—-他戀上好友的弟弟，而弟弟只有八歲！他在網上論壇尋求建議，試圖抑制戀童欲望，因而結識了戀少年經驗豐富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方調查，加博終于不得不面對一場自我審問：他到底是受害人，還是施害者？改編自真實事件，來自德國的史蒂夫.巴赫大膽直面禁忌話題，以敏銳成熟的筆觸，探問生活與社會規范怎樣塑造了今時今日的我們。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
背后有人2025
鄭文森,王子涵,鄒超軍,劉剛,萬斯佳老樓真有鬼，背后不是人！青年錄音師入住鬼樓，聽到鬼頻率，看到鬼飄移……長發女鬼，時隱時現，時而爆發出驚人尖叫，時而傳來隱隱的鬼哭……突然之間，女鬼出現在房頂，一回頭，女鬼又驚現在被子里！慘叫不斷，驚嚇不斷，鬼魅血臉猙獰扭曲，陰森鬼爪驚悚索命！女主陪同男主勇闖鬼樓，挑戰千年怨靈，等待他們的是冤魂的報復？還是厲鬼的劫殺？一切都是未知！月圓之夜，人鬼決戰呈現在荒郊野外，鬼BOSS終于邪惡登場，終極顫栗一觸即發！誰敢回頭看背后？顫抖吧，尖叫吧！