劇情縱覽
「聖也と、あんたとあたしの三人で、やってみない?」地方の裕福な実家を"偽物"と嫌悪する大學生の真奈美は、資産家でゲイの潤に、歌舞伎町ナンバー2ホストの聖也を、二人で"共有"することを提案され──。暴力的なまでに切ない、愛の証明。
「聖也と、あんたとあたしの三人で、やってみない?」地方の裕福な実家を"偽物"と嫌悪する大學生の真奈美は、資産家でゲイの潤に、歌舞伎町ナンバー2ホストの聖也を、二人で"共有"することを提案され──。暴力的なまでに切ない、愛の証明。
一名腐敗的新奧爾良偵探在放風時陷入兩個犯罪團伙之間的戰斗中。為了在夜晚生存下來,他必須找到一名殺手,并在兇手到達其他目標之前將他帶走
潘金蓮(朱可兒 飾)時候,因為對前世的感情放不下,所以一直在陰間徘徊,遲遲不能轉世投胎,在一次企圖逃跑的時候被鐘馗捉住,為了懲罰潘金蓮,鐘馗給了她十日的期限,讓她重返人間自斷執念,否則就要她魂飛魄散,哪知道在誤打誤撞之中,潘金蓮竟然附身在了一個充氣娃娃的身上,被名為武志(王波文 飾)的男子買回了家?! 渭兩屏嫉奈渲咀屌私鹕徳俣认嘈帕巳碎g有真愛,在幫助武志追求心儀的女神的同時,潘金蓮漸漸愛上了他,而武志也最終明白誰才是最值得托付終身的人,兩人最終心意相通,但是,十日的大限將到,留給他們的時間不多了。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
跟隨一位被部落放逐的年輕鐵血戰士,深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里,他將與維蘭德-湯谷公司制造的仿生人希雅(Thia)意外結盟,這位僅存上半身的仿生人,將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉,一步行差踏錯即刻墜入無可挽回的深淵,唯有浴血廝殺,才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰士的狩獵法則——生存并非勝利的終點,而是通往更殘酷考驗的開始。