生命是個奇跡
1992年南斯拉夫內戰前夕,塞爾維亞工程師盧卡(SlavkoStimac飾)為了修建一條旅游線路,帶著癡迷歌劇的老婆嘉德蘭卡(VesnaTrivalic飾)和夢想成為足球運動員的兒子米羅(VukKostic飾)來到波斯尼亞地區的山上安營扎寨。盧卡不去理會妻子的抱怨和戰爭的傳聞,一心投入線路的設計中。不久,戰爭爆發,米羅應征入伍,而嘉德蘭卡也不堪忍受鄉間的生活與情人私奔,失意的盧卡在隆隆炮火中等待著妻兒的歸來。偶然機會,盧卡從士兵手中救下穆族女子撒巴哈(NatasaSolak飾)。原本打算將其作為交換被俘虜的兒子的砝碼,但盧卡卻漸漸與撒巴哈產生了感情本片榮獲2004年戛納國際電影節法國國家教育系統電影獎金、2005年凱撒電影節歐盟最佳影片獎。
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劇情簡介
1992年南斯拉夫內戰前夕,塞爾維亞工程師盧卡(SlavkoStimac飾)為了修建一條旅游線路,帶著癡迷歌劇的老婆嘉德蘭卡(VesnaTrivalic飾)和夢想成為足球運動員的兒子米羅(VukKostic飾)來到波斯尼亞地區的山上安營扎寨。盧卡不去理會妻子的抱怨和戰爭的傳聞,一心投入線路的設計中。不久,戰爭爆發,米羅應征入伍,而嘉德蘭卡也不堪忍受鄉間的生活與情人私奔,失意的盧卡在隆隆炮火中等待著妻兒的歸來。偶然機會,盧卡從士兵手中救下穆族女子撒巴哈(NatasaSolak飾)。原本打算將其作為交換被俘虜的兒子的砝碼,但盧卡卻漸漸與撒巴哈產生了感情本片榮獲2004年戛納國際電影節法國國家教育系統電影獎金、2005年凱撒電影節歐盟最佳影片獎。
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寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover復仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita探魔導師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫小前提
Sathya Sridharan,帕頓·阿什布洛克,達納·艾希布魯克盜墓大案
李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦千萬不要跟著我
Karla Coronado,揚克爾·史蒂文,Julia Maqueo人氣佳作
壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾希·洛佩斯,凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬全面營救
魯克·高斯,羅伯特·戴維,戴維·費爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克導演精選
致命錄像帶:超越
通過一部偽紀錄片《未解之謎》五個故事娓娓道來:警察進入古宅尋找孩子遭遇神秘生物;一群印度狗仔隊發現寶萊塢女星并非鏡頭般光鮮亮麗;幾個朋友必須在遭遇外星人入侵之后與客機相撞的高空跳傘中幸存;動物權利組織闖進痛失愛犬的女士住宅后將經歷至暗時刻;以及一位沙漠中的母親調查莫哈韋沙漠幽浮飛船后成為飛船偷渡者……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
審判者1
攝影師王樹因一次“死亡拍攝”獲獎并一舉成名,于此同時他也斷送了自己的攝影生涯。在輿論的審判下,沒有一家攝影公司愿意接納他,王樹不得不轉行維持生計,不想卻變成了網絡爆紅的“審判者”,并陷入了一宗撲朔迷離的死亡綁架事件,踏上了“心靈審判”的漫漫長路......