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百米。
松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀,種崎敦美,悠木碧,內田雄馬,內山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽彩,杉田智和180度
德斯蒙德·杜布,法納·莫科納,Prince Grootboom,Warren Masemola,邦基爾·曼賽醫神
張達明,蔡少芬,伍詠薇,黎耀祥,雷宇揚,徐錦江,梁榮忠,許紹雄,莫少聰,傅明憲,朱潔儀,陳國邦,陳怡芳,高林生黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz利益區域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言銀河守門員
維多利亞·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃爾夫岡·塞爾尼,Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦萊麗婭·德米特里耶娃,Pavel Dorofeev,米克哈爾·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯維特蘭娜·伊萬諾娃,瑪爾塔·蒂莫菲娃,尤里·庫琴科,葉甫蓋尼·米羅同類推薦
月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue肖恩·利維將再次合作老搭檔二十世紀福斯,執導新片[隕石坑](Crater,暫譯),利維也將約翰·J·格里芬執筆的原創劇本進行改編。故事被描述為科幻版的[ 伴我同行 ],講述在月球殖民地長大的男孩,和三個小伙伴共同前往一處神秘隕石坑探秘,不料卻發生意外。影片劇本曾經入選2015年“好萊塢劇本黑名單”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環衛公司垃圾車駕駛員尼卡德(Matti Pellonp?? 飾)的老同事計劃籌資組建自己的環衛公司,邀請尼卡德技術入股,但老同事不久急病突發身亡,尼卡德的生活重回一潭死水狀態。尼卡德心有不甘借酒滋事,在被拘留的時候結識日后的同事米卡拉。米卡拉偶而會不識趣的妨礙尼卡德暗地追求超市售貨員伊羅娜(Kati Outinen 飾),但他仍是尼卡德最可依賴的朋友。伊羅娜為報復超市經理偷走了錢盒,尼卡德幫助她找到服裝店的新工作,服裝店經理夾到尼卡德與伊羅娜的關系中間,但尼卡德最終奪回了自己的愛人。 本片獲1987年芬蘭電影尤西獎最佳影片獎。是導演郭立斯馬基(Aki Kaurism?ki)無產階級三部曲的第一部。
有罪,AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內悠陽,小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風吹淳,國村隼新人法官高遠寺圓(芳根京子飾)每日忙于庭審中的證人詢問、審閱證據與鑒定報告、檢索判例以及撰寫判決書等工作。某日,圓被委以重任,負責測試性引入法院的AI系統“法神”。當輸入過往審判數據后,“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致,判決結果也完全一致。法官們為工作效率的飛躍提升欣喜不已,唯獨圓對“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負責一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數據輸入“法神”進行判決模擬,AI瞬間給出的判決是“死刑”。 對AI能力深感興趣的檜葉。對AI愈發警惕的圓。當陪審員們也卷入其中時,人們再度直面探尋真相的艱難困境。究竟誰能辨明真相?是AI?是人類?還是??? 這部社會派娛樂作品直面當下以驚人速度滲透社會的AI技術,深刻叩問使用AI的人類應有的姿態!
瘋狂的麥克斯:狂暴女神
安雅·泰勒-喬伊,克里斯·海姆斯沃斯,湯姆·伯克,艾莉拉·布朗,喬治·謝夫佐夫,拉黑·休姆,約翰·霍華德,安格斯·桑普森, 查理·弗雷澤,埃爾莎·帕塔奇,內森·瓊斯,喬什·赫爾曼,大衛·菲爾德,拉赫爾·羅曼,戴維·科林斯,戈蘭·D·克魯特,CJ·布隆菲爾德,馬圖斯,伊恩·羅伯茨影片講述了復仇女神弗瑞奧薩(安雅·泰勒-喬伊 Anya Taylor-Joy 飾)驚心動魄的成長史。年輕的弗瑞奧薩從原本的家園被掠走,落入軍閥狄門特斯(克里斯·海姆斯沃斯 Chris Hemsworth 飾)領導的幫派手中,在穿過荒原時,他們來到不死老喬(拉黑·休姆 Lachy H ulme 飾)所掌管的堡壘。在兩位暴君爭奪統治地位的同時,弗瑞奧薩必須在重重考驗中活下來,并想方設法尋找回家的路;她也逐漸成長為利落酷颯的狂暴女神。