誘惑韓語學校

　　傳說龍鳳雙劍合璧，能有無比神力。魔鬼黨首領笑鐵面覬覦桂王手中鳳劍寶劍，桂國陷入危機。諸葛四郎受託挺身而出，竟遭受真平的復仇挑釁，諸葛四郎腹背受敵。困境中英雄勇敢集結，和魔鬼黨展開搶奪寶劍大戰。諸葛四郎與魔鬼黨，到底誰會搶到那支寶劍？※本片可切換國語、臺語發音，另有客語發音版

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　本片改編自民間傳說，幾個世紀以來，在不同的文化背景下，父母都會警告他們的孩子要小心傳說中的Bagman。Bagman會把無辜的孩子抓走，塞進那骯臟腐爛的袋子里，再也沒法回到父母身邊。Patrick McKee小時候曾逃過此劫，但這給他的生活留下了永久的創傷。現在，Bagman又回來了，威脅著他妻子Karina和兒子Jake的安全。

　　港島雪夜，街頭無差別掃射，血流成河；醫院爆炸火光沖天，慘叫此起彼伏。　　這不是末日，是毒品操控下的城市煉獄。　　毒販以毒品掌控城市命脈，殺手為爭奪貨源血洗街頭，警方在陰謀中艱難前行——當三方勢力陷入混戰，最令人窒息的逆轉突然降臨：操縱一切的毒販，竟開始全面禁毒？雪夜之下，誰是幕后推手？誰能從這場罪惡風暴中全身而退？