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小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman龍門相
何熙維,馬國偉,段瓊,趙東飛,沃志強,李桃狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊桑·蘇普利,西恩·威廉·斯科特,Max the Impaler再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev同類推薦
邀請函
娜塔莉·伊曼紐爾,托馬斯·多赫蒂,斯蒂芬妮·科內柳森,阿拉娜·博登,西恩·帕特維,休·斯金納,維拉格·巴拉尼,考特尼·泰勒,卡塔·薩博,伊麗莎白·康塞爾,斯科特·亞歷山大·楊,杰瑞米·惠勒,卡羅爾·安·克勞馥,克里斯蒂娜·格蕾絲·薩爾科該片故事靈感來自于布萊姆·斯托克的經典小說《德古拉》，是一部當代恐怖驚悚片，講述一個年輕女子因被追求而變得神魂顛倒，但她意識到，一個哥特式的陰謀正在發生。
一馬當先
Biju Menon,阿西夫·阿里,Miya George退休的副警察局長烏達亞巴努（Udhayabhanu）在電視節目中講述了他職業生涯中的一些事件。這就是他如何揭示其職業生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細節。當嚴厲的巡回督察賈亞山卡爾（Jayashankar）和巡警卡爾蒂克（Karthik）開始一起工作時，一連串的事件就開始了。他們經常因為處理情況和解決問題的方法不同而發生沖突。在家人、朋友、敵人和上司的注視下，他們以各自獨特的風格，試圖解開糾纏不清的困境。誰能迎接挑戰，又能以多快的速度完成任務？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
痊愈
Stephanie Pearson,Hope Quattrocki,Liz Fenning一個隱蔽的海洛因治療中心的病人和工作人員必須與他們自己的惡魔進行戰斗，因為一個神秘的殺手開始一個接一個地把他們抓走。
利刃之刀鋒戰士
魏小歡,張博楠,馬暢,劉冰講述的是程崗所在的特警隊在局長陳海安的運籌帷幄下，與黃贊為首的走私犯罪集團斗智斗勇，最后將犯罪分子一網打盡的故事。展現了以程崗、沈欣為代表的特警，為破獲文物案和圍剿犯罪分子所作出的犧牲和奉獻。