百日剎那

? 6.3 播放：27萬 2026-04-29

而不是弗拉德的吸血鬼，使得到幫助一個生命的惡魔，把一個女孩的照顧。她的名字剎那。女人做魔鬼。并能夠愛弗拉德是吸血鬼的女人成熟的如果你不這樣做性百天。但弗拉德和婦女，將死，打破這一承諾。弗拉德決定照顧剎那的勉強。白天弗拉德在睡覺，剎那眼睛的各種事情四處覓食的城市。這是一個時刻，什么都不知道，但是我們學到一點一點生活的重要性。結識了年輕的牧師，我會增加的感覺走的人仍然在城市教會的照顧。弗拉德記住刺激剎那的感覺正逐漸傾斜到年輕的牧師。弗拉德你親眼目睹那里的牧師的那一刻，并簽署一個擁抱，一個牧師扼殺一個微笑和狂熱。剎那給我悲觀。我開始苦惱自己的情況必須生活作為人類的食物。后來有一天，那剎那轉世成為一個吸血鬼一天99，一天過去了，剎那傳達祝愿在...弗拉德。 　　

在線觀看

? 播放 百日剎那

劇情提要

而不是弗拉德的吸血鬼，使得到幫助一個生命的惡魔，把一個女孩的照顧。她的名字剎那。女人做魔鬼。并能夠愛弗拉德是吸血鬼的女人成熟的如果你不這樣做性百天。但弗拉德和婦女，將死，打破這一承諾。弗拉德決定照顧剎那的勉強。白天弗拉德在睡覺，剎那眼睛的各種事情四處覓食的城市。這是一個時刻，什么都不知道，但是我們學到一點一點生活的重要性。結識了年輕的牧師，我會增加的感覺走的人仍然在城市教會的照顧。弗拉德記住刺激剎那的感覺正逐漸傾斜到年輕的牧師。弗拉德你親眼目睹那里的牧師的那一刻，并簽署一個擁抱，一個牧師扼殺一個微笑和狂熱。剎那給我悲觀。我開始苦惱自己的情況必須生活作為人類的食物。后來有一天，那剎那轉世成為一個吸血鬼一天99，一天過去了，剎那傳達祝愿在...弗拉德。 　　

暗夜精選

總統的蛋糕

Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj

八月2025

丹尼爾·沃羅比耶夫,謝爾蓋·別茲魯科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利維,羅曼·邁迪安諾夫,奧爾佳·奧佐拉平亞

落難女子

羅伯特·帕丁森,米婭·華希科沃斯卡,大衛·澤爾納,內森·澤爾納,羅伯特·福斯特

大明嬪妃之殺機

朱一龍,何杜娟,關慧卿,陳思璇

瑪德琳的瑪德琳

海倫娜·霍華德,米蘭達·裘麗,莫莉·帕克,奧奎·奧克波克瓦西里,蘇妮特·瑪尼,費利佩·博尼拉,麗莎·薩爾斯,寇蒂斯·庫克,雷納爾多·皮涅拉,邁拉·盧克利希亞·泰勒,茱莉·塞爾達,達娜·埃斯科爾森,蘇澤特·古恩,邁克·霍奇,亞歷山德拉·塔塔爾斯基

可憐的東西

艾瑪·斯通,馬克·魯法洛,威廉·達福,拉米·尤素夫,克里斯托弗·阿波特,蘇西·本巴,杰洛德·卡爾邁克,凱瑟琳·亨特,薇琪·佩珀代因,瑪格麗特·庫里,漢娜·許古拉,杰克·巴頓,查理·希斯科克,阿提拉·多拜,艾瑪·欣德爾,安德斯·奧洛夫·格倫德伯格,艾提拉·凱科斯克麥西,朱西馬爾·巴爾博薩,卡米尼奧,安杰拉·保拉·史丹德爾,古斯塔沃·戈麥斯,凱特·漢福德,歐文·古德,茲恩·約書亞·泊松,薇薇安·索恩,杰爾斯金·芬德里克斯

ChaO，我代表人類跟人魚結婚了

鈴鹿央士,山田杏奈,山里亮太,宍戶佑名,梅原裕一郎,三宅健太,太田駿靜,土屋安娜,川島邦裕

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

無限密室

　　弗蘭克被關在密室里，只有一臺人工智能計算機負責維持生命，但無論怎樣密室逃脫，只是回到另一個嵌套，隨著時間發展，出現了新的情況。