我老婆的朋友
生活與我的朋友和他的妻子 ！我們?nèi)齻€ ！所以吉和俊勇已經(jīng)結(jié)婚 5 年。不同婚姻最初幾年，于俊勇是吉聲音所以洗澡嚇了一跳。然而，所以吉進展俊永越來越多因為她想要有孩子。與此同時，所以吉最好的朋友尹慶從菲律賓回來，花幾天與這對夫婦。俊永感覺他的男子漢氣概反應時他看到的他的妻子年輕和性感的朋友...
在線看
同款熱播
致命錄像帶99
杰西·拉圖雷特,Keanush Tafreshi,Dashiell Derrickson,杰克森·凱利,泰比·迪斯金,維羅娜·布魯,阿米娜·涅韋斯,凱利·米薩爾,Melissa Macedo,艾麗·艾恩奈茲,Isabelle Hahn,Breana Raquel,Caitlin Serros,Brittany Gandy,Logan Riley,Maurice Webster,史蒂文·奧格,Jerry Boyd,索妮雅·艾迪,Amelia Ann設定在1999年，以偽紀錄片形式，聚焦那些看似普通、歡樂的家庭錄像帶中發(fā)現(xiàn)的可怕事件和“鬼影”。
克萊默夫婦
達斯汀·霍夫曼,梅麗爾·斯特里普,簡·亞歷山大,賈斯汀·亨利,霍華德·達夫,喬治·科,喬貝茲·威廉姆斯,比爾·穆爾,豪蘭·張伯倫,杰克·拉梅奇,杰斯·奧蘇納,尼古拉斯·霍曼,埃朗·帕克,謝爾比·布拉默,卡蘿爾·納德爾,唐納德·甘特里,朱迪絲·考爾德,彼得·洛茲,凱瑟琳·凱勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷爾克萊默夫婦像普通的美國夫婦一樣，克萊默先生（達斯汀?霍夫曼 Dustin Hoffman 飾）在外工作掙錢，克萊默夫人（梅麗爾?斯特里普 Meryl Streep 飾）則在家照料照料6歲的兒子比利（賈斯汀?亨利 Justin Henry 飾）。由于克萊默先生忙于工作忽略了家庭，克萊默夫人某天憤然出走，留下了父子兩。克萊默先生現(xiàn)在一方面要忙于工作，一方面又要照顧比利，生活一時陷入麻煩中。克萊默先生不善家務，在照料比利時洋相百出：第一次為比利煎西多士、過程十分恐怖；比利不吃飯要吃雪糕，克萊默先生想阻止卻不懂溝通……幸好在女鄰居的幫助下，克萊默先生逐漸適應了單身父親的生活。父子兩越來越親密，互相依賴。這時，克萊默夫人回來了，她已經(jīng)是紐約一名出色的設計師了。她回來要拿回比利的撫養(yǎng)權(quán)……
庇護之地
杰森·斯坦森,博德希·蕾·布里納希,比爾·奈伊,娜奧米·阿基,丹尼爾·梅斯,哈麗特·瓦爾特,戈登·亞歷山大,布隆森·韋伯,湯姆·吳,比利·克萊門茨,托米·梅,安娜·克里里,巴利·吉爾,瑞恩·弗萊徹,亞當·柯林斯,索菲安·弗朗西斯,布萊恩·維吉爾,史蒂文·布拉德斯,路易絲·拉,Rodaidh Findlay隱居孤島的特工界黃金王牌邁克爾·梅森（杰森·斯坦森 飾）本想就此隔絕過往，一場風暴卻讓他救下少女杰茜（博德希·蕾·布里納希 飾），命運的齒輪徹底反轉(zhuǎn)……他們的行蹤不慎暴露在嚴密的監(jiān)控網(wǎng)絡之下，神秘勢力的追殺接踵而至，無路可退的梅森被迫重操舊業(yè)，攜手少女開啟生死突圍之路。 面對頂尖特工小隊和冷血殺手的輪番圍剿，梅森一路火力全開：近身肉搏、飛車追逃、槍林彈雨，硬核爽戰(zhàn)全程高能！隨著追殺不斷升級，層層陰謀被逐一揭開，互相防備的兩人成為彼此唯一的依靠。當滔天陰謀席卷而來，他們能否沖破死局？這份絕境中的守護，又會成為鎧甲還是軟肋？
愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼一場車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個沒有母親的家庭。隨著調(diào)查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉(zhuǎn)折。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經(jīng) 2013夏季特別篇
指原莉乃,坂口憲二,深田恭子,藤谷太輔,鈴木福《恐怖的二樓》少年畑野龍（鈴木福 飾）似乎天生具有靈視的能力，他和外婆、媽媽（YOU 飾）搬到新家，結(jié)果發(fā)現(xiàn)他們不是這里的唯一住戶。小龍看見了女鬼，可是媽媽卻不相信；《X醫(yī)院》信心受挫的實習醫(yī)生佐佐木直樹（藤谷太輔 飾）倍感壓力，在此期間，各種詭異事件也交替在他身邊出現(xiàn)，令他疲于奔命；《影子的暗示》厭倦了枯燥的工作，遠山美和（深田恭子 飾）計劃轉(zhuǎn)職旅游公司，期間她時常會看見神秘黑影，而黑影所至之處必然發(fā)生災難；《女子高中大危機》在女子高中任教的澤木洋介（坂口憲二 飾），其班上名叫亞里沙的女孩似乎制作了一個地下網(wǎng)站，他沒有料到，恐怖的危機正慢慢降臨這所高中；《蠕動的人偶》園田里菜（指原莉乃 飾）在街上相中了一個士兵人偶，于是不假思索將其買了下來，誰知這個仿佛有生命的玩偶正漸漸影響她的生活。