Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, plete with the flying seagulls, add make the film an unquestionably memorable experience.
不讀歷史的人寫穿越劇，只是爽文罷了，推薦讀者看看《明朝敗家子》，比你的作品有深度，還比你作品爽。
完美！[:a無奈:][:a無奈:][:a狗頭:]
感覺滕瑞雨這個崴到腳了和這個眼神是為后面的“木僵癥”埋下了伏筆……（只是個人感覺）
“如果說雨總是長滿荊棘的玫瑰，那錢錯肯定是踏著荊軻尋玫瑰的王子.”