劇情縱覽
敷島家的長女澄子與未婚夫訂婚兩年之久,卻一直以事業為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產生曖昧的同時,度假莊園的傭人卻也盯上了大小姐。
敷島家的長女澄子與未婚夫訂婚兩年之久,卻一直以事業為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產生曖昧的同時,度假莊園的傭人卻也盯上了大小姐。
故事講述鮑伯剛和戀情長跑的女友分手,心碎不已時巧遇一只可愛到不行的流浪貓,而鮑伯好友克拉倫斯更被小貓萌翻,兩人給小貓取名‘Keanu’,而‘百煉鋼化為繞指柔’大男人從此化身貓奴,每天陪貓、愛貓,與貓為伍。某天鮑伯的家被流氓集團闖空門,更慘的是他們的愛貓‘Keanu’竟然被綁架!為了營救愛貓,兩人決定混入販賣毒品的圈子,為方便接近流氓集團......
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
張清遠死后蘭心終日郁郁寡歡,太子誤以為她還深愛張清遠,嫉妒不已,故意親近其她妃子來刺激和報復蘭心。蘭心本已對太子暗生情愫,見狀卻只能傷懷。 姚芊芊明白了四面楚歌的危險,為保腹中孩子,她四處籠絡人心,頗見成效。 王恭妃查出了蘭心和張清遠的私情,盛怒之下將蘭心打入冷宮。太子偷偷潛入冷宮和蘭心相見,兩人終于明白了對方的深情,情動之下有了一夜溫存…… 后來,蘭心被診出懷有身孕,王恭妃卻根本不相信這個孩子是太子的……
1976年,一名會計師因莫須有的罪名,將面臨不公正的刑事判罰,他決心一斗到底。西班牙導演阿爾韋托·羅德里格斯(《千面人》)闊別6年重回大銀幕的新作,根據真實事件創作,于現已關閉的巴塞羅那莫德羅監獄內實景拍攝,回溯1976年弗朗哥去世后的西班牙民主過渡期。影片巧用突然驚嚇營造驚悚氣氛,反映獄警對犯人的多種慘無人道的摧殘;藉由民憤輪番上演花式越獄,點燃普通人的求生之火,強烈抨擊國家法律體系的不公。榮獲2023年西班牙戈雅獎16項提名,最終攬獲最佳美術指導等5項技術大獎。