滅門慘案II借種

評分:1.5 播放:62萬 更新:2026-04-25

阿秀(鄭艷麗 飾)和阿劍(吳毅將 飾)本是恩愛夫妻,卻苦于沒有子嗣,于是決定南下接種,由此認識了阿軍(劉的之 飾)。誰知道,兩人的計謀被陰險狡詐的洪震(何家駒 飾)撞破,洪震綁走了阿秀,向阿劍勒索巨款。在洪震處,阿秀遭受著非人的待遇,得知此事的阿劍十分憤怒,找上門來想要報仇。勤懇老實的阿劍哪里是洪震的對手,最終,阿劍遭到了洪震的設計,丟了性命。悲痛之中,阿秀終于明白此仇唯有依靠自己的雙手才能報償,于是找到了阿軍,不惜一切代價求他幫忙,然而,阿軍人面獸心,將阿秀吃干抹凈之后居然反悔。在公安所所長龍傳人(廖啟智 飾)的抽絲剝繭之下,一個充滿了人性糾葛的故事漸漸浮出水面。

劇情簡介

阿秀(鄭艷麗 飾)和阿劍(吳毅將 飾)本是恩愛夫妻,卻苦于沒有子嗣,于是決定南下接種,由此認識了阿軍(劉的之 飾)。誰知道,兩人的計謀被陰險狡詐的洪震(何家駒 飾)撞破,洪震綁走了阿秀,向阿劍勒索巨款。在洪震處,阿秀遭受著非人的待遇,得知此事的阿劍十分憤怒,找上門來想要報仇。勤懇老實的阿劍哪里是洪震的對手,最終,阿劍遭到了洪震的設計,丟了性命。悲痛之中,阿秀終于明白此仇唯有依靠自己的雙手才能報償,于是找到了阿軍,不惜一切代價求他幫忙,然而,阿軍人面獸心,將阿秀吃干抹凈之后居然反悔。在公安所所長龍傳人(廖啟智 飾)的抽絲剝繭之下,一個充滿了人性糾葛的故事漸漸浮出水面。

為你推薦

透明人與蠅男

北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗

  《透明人與蠅男 》是由村山三男導演的特攝科幻電影。一個發現可以把人變成和蒼蠅一樣大小的藥品的男人,開始對給自己安上戰犯的罪的人復仇。某個物理學家為了從蠅男的恐怖中拯救人們決心成為透明人。

得閑謹制

肖戰,彭昱暢,周依然,楊新鳴,阿如那,甘昀宸,周思羽,嚴知度,尹正,祖峰,廖凡,許君聰,江奇霖,任程偉

  機械廠鉗工莫得閑(肖戰 飾)拖家帶口隨逃難隊伍躲進山區,與被大部隊遺忘的防空炮長肖衍(彭昱暢 飾)及手下在“戈止鎮”落腳。然而,莫得閑和妻子夏橙(周依然 飾)、老太爺(楊新鳴 飾)以及兒子莫等閑(嚴知度 飾)的平靜生活因為一小隊日本偵察兵的意外到來被打破。全鎮百姓不忍不退,拼死守護家園,一場民間智慧對抗正規武裝的殊死較量轟然展開。

歡樂歲月2025

丹尼爾·雷德克里夫,喬納森·格羅夫,琳賽·門德茲,瑞格·羅杰斯,克里斯托·喬伊·布朗,Katie Rose Clarke,Natalie Wachen

講述三位好友跨越幾十年的友情。

詛咒之刃

  A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

浪浪人生

黃渤,范丞丞,殷桃,常遠,李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園

  曾經叱咤小鎮的“大哥”黃榮發(黃渤 飾)如今嘴硬腿軟,開啟人生困難模式,但他和家人都沒有被命運的風浪裹挾。兒子黑狗達(范丞丞 飾)看似是黃家唯一“淡人”,暗地卻密謀如何發家又“治父”;妻子陳梨珍(殷桃 飾)樣樣全能橫掃困難,是小鎮人盡皆知不太好惹的“媽系超人”;膽大手“黑”的女兒黃嬌嬌(李嘉琦 飾)和“神”通廣大的阿太(劉雪華 飾)也各出奇招笑料百出。逆境當前,一家唯有興“瘋”作浪跟生活貼臉硬剛,沒準真能讓他們絕地翻盤?

觸電2025

林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘

人到中年的車仔擁有一間網吧,但在手機游戲的沖擊下,早已人氣不再;三十未到的電競選手邦少正在面對實力下滑的職業困境;單親家庭長大的霏霏大學畢業超過五年,還未有過一份穩定工作。曾是動作巨星的八爺因為妻子阿蘭出現腦退化,年過70的二人嘗試利用電子游戲來鍛煉大腦。一張全港電競賽的征集海報,讓想要拯救網吧的車仔決定組隊。車仔、霏霏、八爺,三個新手再加上一個急于證明自己的邦少,Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺,一場不可能完成的戰斗,讓心懷夢想的他們不再抱憾。