高級妓女2

捍衛機密

基努·里維斯,迪娜·邁耶,北野武

　　公元2021年，資料除了透過電腦輸送外，還可利用人腦運輸。專業運輸員尊尼為了運送更多資料，不惜洗去自己的記憶。一次任務中，尊尼被客戶輸入過量資料，若他不在二十小時內找到輸出密碼，他便會倒斃。另一方面，日本集團為了奪取他腦內的資料，也對他展開一場大追殺。

亂馬12：決戰桃源鄉！奪回新娘子！！

山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮

 又一年的夏天來臨，在九能帶刀（鈴置洋孝 飾）的倡議下，天道道場的伙伴們決定結伴出海旅行，誰知航行中遭遇風暴，眾人最終流落孤島。由于亂馬（山口勝平 飾）和八寶齋（永井一郎 飾）的打鬧，游艇的修繕工作遙遙無期。正在這時，小霞姐姐神秘失蹤，最后連珊璞（佐久間レイ 飾）、小靡、右京也不見蹤影。在她們失蹤的現場，全部留下一只桃子。背后黑手原來是桃幻鄉的幻術王子桃磨，來到小島上的所有女孩都被擄走成為他的新娘候補。為了奪回親人和愛侶，亂馬他們注定要面臨一場惡戰……本片根據高橋留美子的漫畫《亂馬1/2》改編，系該動畫的劇場版。

把家虎

康琳浠,袁家駿,答有為,張原榮,王藝歡,趙鵬,王旭,梁棟,張婷,曹皓程,郭炫辰,杜俊峰,李凱武,蔣鎮澤,蔣鎮陽,岳建剛,楊恩全

　　徐大燕，雖自幼生得標致，但卻因為性格強勢，持家精打細算，容不得他人占自己家半點便宜，聞名村里村外，導致已到婚嫁之齡未嫁在家。不平常女子人生也必然不平常，成家后的徐大燕，憑借精密與能干使得原本窮破的家，日漸變得富足與溫馨，更是在其短暫的一生留下諸多感人事跡。

靶場

凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence

　　莎拉（艾麗莎·易默思 Alexa Yeames 飾）、托德（羅德·赫爾南德茲 Rod Hernandez 飾）、杰夫（杰森·托比亞斯 Jason Tobias 飾）、艾瑞克（安東尼·科洛 Anthony Kirlew 飾）、凱倫（斯蒂芬妮·皮爾森 Stephanie Pearson）、朱迪（凱莉·科耐爾 Kelly Connaire 飾）等六名大學生利用假期驅車游玩，途中他們的汽車爆胎。不巧的是他們拋錨的地點信號太差，四周前不著村后不著店，她們只能自己動手修理汽車。身處荒郊野外，年輕人們只能耐心等待旅途的再度開啟。誰知就在這時候，其中兩人被不知來自何方的子彈射中，相繼慘死在烈日之下。恐慌迅速彌漫，而無情的子彈則接二連三射向他們。　　不知何時，他們已經闖入無情殺手的狩獵場，成為逃生希望渺茫的獵物……

恐怖列車

索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格羅瑞亞·沃特西斯,Todd Jensen,Vladimir Vladimirov

　　五名美國業余摔跤選手艾歷克斯（Thora Birch 飾）、托德、克萊爾、威利、謝爾頓，在教練帶領下遠赴東歐參加摔跤比賽，雖然他們輸掉了比賽，但當晚仍興致勃勃參加了派對，以致耽誤了第二天開往敖德薩的火車，由于語言不通，他們一時買不到車票，一位說英語的金發女郎出現，帶領他們登上了車站內的一列紅色火車。　　甫一上車，隊員們的護照便被形容猥瑣的男乘務員收去，這列經過改裝的列車上賭場、餐車、休息室一應俱全，隊員們很快遠離其他語言不通的乘客，躲在休息室玩起了真心話大冒險，然而在游戲進行的過程中，托德消失在列車尾部，其他隊員也一一失蹤，艾歷克斯很快發現，她要獨自面對車上的幾個活體器官摘除者……

草迷宮恐怖殺人事件

Joem Bascon,吉莉安·維森喬,Kristof Garcia

　　一處廢棄草叢，發生一系列詭異的殺人魔連環殺人事件，讓警探阿邦（瓊姆芭絲康飾演）展開調查。某夜，他們遇到喬伊絲（吉蓮維琴西奧飾演）與她的一群朋友，揚言要在這片草叢中上哀悼慘遭殺害的親友，實際上她們也是為了調查這一連串真相，而來到了這片草叢。兩邊人馬開始在草叢中搜尋，竟意外發現殺人魔可能并非人類，更像是神秘的超自然力量；而另一位神秘人物史蒂芬（克里斯多夫加西亞飾演），則掌握著這個超自然殺手魔的關鍵真相…。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.